A disappointing first novel by cookbook author Kirchner (The Healthy Cuisine of India, 1992) begins promisingly, but quickly reduces its portrayal of an Indian woman unhappy in America and drawn back toward her native land to melodrama and sentimentality. Kirchner hooks us early with a beautifully detailed description of the arranged marriage of two seven-year-olds in a village in Rajasthan. The plot quickly thickens when the girl, Meena Kumari, is kidnapped by bandits, escapes from them at a train station, and is ``rescued'' by a wealthy American couple, the Gossetts, who soon thereafter adopt her and return to live in California. Twenty-eight years later (as she begins the sixth of her ``seven-year cycles''), Meena Gossett is a successful software expert at a San Francisco computer firm and living in a vulnerably solitary state (her adoptive family are all dead, there's no man in her life). A chance meeting with Antoine Peterson, a novelist to whom she's immediately attracted, disturbs Meena's recurring thoughts of returning to India to locate her ``husband'' Vishnu Chauhan—whose career as a journalist working for a (Moxan) separatist tribe's newspaper in Calcutta is followed in a parallel narrative. A crisis at work, and the news that Antoine has decided after all to marry his disagreeable fiancÇe (as well as an e-mail reunion with Vishnu accomplished by a mutual friend) sends Meena back to India—and Kirchner's novel into romance-fiction overdrive. Meena goes back to her village, only ``to realize how little Indian she was,'' and finds Vishnu shortly before a terrorist bomb explodes, sending them all (for Antoine too has arrived in Calcutta, having seen the error of his ways and forsworn marriage) to the hospital, and Meena and Antoine finally into each other's arms. Good material, and some initially gritty characterizations, are wasted on a trivial story undone by clichÇs and coincidences. Danielle Steel does India.
Pub Date: March 2, 1998
ISBN: 0-525-94367-6
Page Count: 336
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1997
Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.
Inseparable identical twin sisters ditch home together, and then one decides to vanish.
The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.
Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.Pub Date: June 2, 2020
ISBN: 978-0-525-53629-1
Page Count: 352
Publisher: Riverhead
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
War is hell in this novel of inspired absurdity.
Hailed as heroes on a stateside tour before returning to Iraq, Bravo Squad discovers just what it has been fighting for.
Though the shellshocked humor will likely conjure comparisons with Catch-22 and Slaughterhouse Five, the debut novel by Fountain (following his story collection, Brief Encounters with Che Guevara, 2006) focuses even more on the cross-promotional media monster that America has become than it does on the absurdities of war. The entire novel takes place over a single Thanksgiving Day, when the eight soldiers (with their memories of the two who didn’t make it) find themselves at the promotional center of an all-American extravaganza, a nationally televised Dallas Cowboys football game. Providing the novel with its moral compass is protagonist Billy Lynn, a 19-year-old virgin from small-town Texas who has been inflated into some kind of cross between John Wayne and Audie Murphy for his role in a rescue mission documented by an embedded Fox News camera. In two days, the Pentagon-sponsored “Victory Tour” will end and Bravo will return to the business as usual of war. In the meantime, they are dealing with a producer trying to negotiate a film deal (“Think Rocky meets Platoon,” though Hilary Swank is rumored to be attached), glad-handing with the corporate elite of Cowboy fandom (and ownership), and suffering collateral damage during a halftime spectacle with Beyoncé. Over the course of this long, alcohol-fueled day, Billy finds himself torn, as he falls in love (and lust) with a devout Christian cheerleader and listens to his sister try to persuade him that he has done his duty and should refuse to go back. As “Americans fight the war daily in their strenuous inner lives,” Billy and his foxhole brethren discover treachery and betrayal beyond anything they’ve experienced on the battlefield.
War is hell in this novel of inspired absurdity.Pub Date: May 1, 2012
ISBN: 978-0-06-088559-5
Page Count: 320
Publisher: Ecco/HarperCollins
Review Posted Online: March 18, 2012
Kirkus Reviews Issue: April 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
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