Sugary fare for the seriously sweet-toothed.

PASTRIES

A NOVEL OF DESSERTS AND DISCOVERIES

Novelist (Darjeeling, 2002, etc.) and cookbook author Kirchner whisks up a tale of escalating crises—in love, work, family, and career—all serendipitously resolved by spiritual baking lessons.

In a story with as many plotlines as a millefeuille has pastry leaves, narrator Sunya Malhotra begins her tale of woe as her life and work seem about to implode. She lives in Seattle, as does her East Indian mother, who was abandoned by her Indian academic husband when Sunya was two days old. Her father left because he sought a more spiritual life and hasn’t been seen since. Nearly 30, Sunya (her name has a special meaning for Buddhists) is a woman “who loved to bake.” She owns Pastries, a neighborhood bakery and coffeeshop, but seems to have lost her joy in baking when she also lost her Japanese boyfriend Roger, who has a new girlfriend and a new job organizing protests for the up-and-coming World Trade talks. Her woes increase when she learns that a big bakery chain is moving into the neighborhood; her best baker, Pierre, takes off; a man loiters outside her shop; and she finds cards with Japanese writing on them left at her door. Her receipts are also falling, and she may have to sell her store. A meeting and then date with Andrew, a filmmaker in town to make a documentary of the protests, suggests new happiness, but Andrew has major problems, too. The story is padded further with tales of her early life told by Sunya’s mother, but they’re not much comfort. Sunya is saved only when, after learning that the mysterious cards are from the director of a Japanese school that teaches baking as a way to heal the spirit, she heads to Japan. There, she not only rediscovers the joy of baking, but also part of her past.

Sugary fare for the seriously sweet-toothed.

Pub Date: July 1, 2003

ISBN: 0-312-28988-X

Page Count: 368

Publisher: St. Martin's

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 15, 2003

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...

FLY AWAY

Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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