Adult aficionados of art books are likely to appreciate this endeavor more than children will.
How far can an alphabet concept be stretched?
The artifice of the title is a clue. Elegant, sophisticated digital illustrations combine alphabet letters with animal shapes in an art deco style that creates posterlike images. Complementing the artwork is the color palette filled with fancy shades from the more exotic reaches of an extra-large box of crayons. Some of the animal colorations are atypical, such as the zebra’s, which is painted with dark- and light-blue stripes that make it pop against a crimson background. The soft, blue-hued manatee on the cover is attractive and will have readers wondering what it is. The recto of each double-page spread is a full-page representation of the creature, while the verso displays the blocky uppercase letter on a white background above the animal’s name printed in a delicate, stylized typeface (the “I” and “J” of which are almost identical), which is followed by a brief, poetic description. For example, “Crocodile / Lurking in the murky depths, / a crocodile basks in the midday sun. / Her long, strong body is as still as a log, / but she’s waiting, watching, set to strike / and snatch her prey in snapping jaws.” The animals vary in recognizability, with fox, giraffe, and penguin on the better-known end of the spectrum and quoll and urial on the other end.
Adult aficionados of art books are likely to appreciate this endeavor more than children will. (Picture book. 3-5)Pub Date: Oct. 3, 2017
ISBN: 978-0-7636-9557-6
Page Count: 56
Publisher: Big Picture/Candlewick
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
Perfect for every underdog who wants to have a say.
A dog-loving child encourages a less-than-enthusiastic younger one to imagine they’re both canines.
From the first declaration—“I’d be a big dog! And you’d be a little one!”—readers know who’s calling the shots. Initially, the protagonists cavort off the page and through the neighborhood together, performing doggy capers such as tail wagging, stick carrying, and dirt digging. But by the time they encounter a multitude of like-minded creatures at the dog park, the disgruntled small pup is exhibiting out-and-out rebellion: “Being a dog is YOUR idea! Sometimes I HAVE IDEAS TOO!” The narrative wraps up with the younger child pretending to be a different animal entirely—cleverly foreshadowed through subtle details in the illustrations. Even the endpapers—lively silhouettes of dogs in the beginning and many different animals in closing—extend the theme to suggest the imaginative possibilities of pretend play. Cheerful, lightly hued colors fit the whimsical mood, while expressive body language allows the art to tell the story with a minimum of words. Ending on a surprising note, with a sweet compromise between the two main characters, the tale gives both kids the freedom to embrace their own preferences and styles—while still enjoying their game.
Perfect for every underdog who wants to have a say. (Picture book. 3-5)Pub Date: Sept. 16, 2025
ISBN: 9780316581721
Page Count: 40
Publisher: Little, Brown
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
A funny tale about stress and an ever upping ante, with a comforting end.
Something is preventing Owl from falling asleep.
Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?
A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)Pub Date: April 19, 2016
ISBN: 978-1-4847-1275-7
Page Count: 48
Publisher: Disney-Hyperion
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
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