Hopefully readers’ own flocks are either livelier or more conducive to sleep; this toad’s will do in the meantime.
In former Saturday Night Live cast member Moynihan’s picture-book debut, a toad narrator fighting sleep introduces readers to all the exciting sheep they know.
People count sheep in order to fall asleep, ergo sheep are boring. But the toad, who sports a green striped shirt and black shorts on stick-thin limbs and has an iron bedstead in the sheep’s field, wants to prove otherwise. One by one, the toad introduces sheep like Alice, who has both a jet pack and a helmet (Alice is both “smart AND cool”), Julie, who loves dancing and coffee, and Mike H., who “likes to eat pickles while sitting in a big wet boot.” Gary, who doesn’t know what pasta is, is just plain weird, but weird isn’t boring. The parade of sheep gradually gets less and less cool, from Dan, who requires extra exclamation marks to seem hipper, to Katie, who has never actually pranced on the moon, and finally to Steve. Steve is a sheep in a tan vest and headphones using a metal detector in the field. And Steve IS boring, but “that doesn’t mean…that ALL…sheep…are…NOT…ALL…SHEEP…ARE…Zzzzzzz.” Rowan-Zoch’s digital illustrations keep the details simple to focus on the droll sheep, plain white or the bright green of the pasture serving as backgrounds. Still, readers may have different ideas as to which sheep are boring…and may fall asleep long before they reach Steve. (This book was reviewed digitally.)
Hopefully readers’ own flocks are either livelier or more conducive to sleep; this toad’s will do in the meantime. (Picture book. 3-6)Pub Date: Sept. 20, 2022
ISBN: 978-0-593-40703-5
Page Count: 32
Publisher: Putnam
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
SEEN & HEARD
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
The runaway cookie in this Mexican bakery is a soft, brown, stubby-tailed piglet as impertinently bold and smug in his continual escape as his Gingerbread Boy cousin. “Chase me! Chase me down the street. But this is one piggy you won’t get to eat! / ¡Córrele, córrele! ¡Y Córrele más! ¡Soy el cochinito que jamás comerás!” This bouncy dual refrain extends the familiar cumulative text, rendered in both English and Spanish, as piggy manages to elude Marta the baker, Lorenzo the mechanic, Mamá Nita the beautician, Joaquín the telephone repairman and a host of other neighborhood adults—until he is outsmarted by Rosa, a little girl on her way to school, who foxily “helps him” cross the street. Safely tucked into her backpack, piggy is both a welcome surprise and an excuse for Rosa’s lateness to class. Deep opaque acrylic paintings of a colorful barrio and its residents in pursuit add the right amount of cultural flavor to this vivid Latino retelling. Recipe appended. (Picture book. 3-6)
Pub Date: Nov. 30, 2010
ISBN: 978-1-55885-586-1
Page Count: 32
Publisher: Piñata Books/Arte Público
Review Posted Online: Sept. 24, 2010
Kirkus Reviews Issue: Oct. 15, 2010
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