Songwriting adman Backer (as in Backer Spielvogel Bates Worldwide) tells, in some detail, how he did it. What Backer did was spawn the Coca-Cola commercial that evolved into ``I'd Like to Teach the World to Sing.'' His pride in his accomplishment is, unfortunately, unbounded. The author—sort of the Barry Manilow of ``the song-form commercial'' (don't call them ``jingles,'' please)—uses the story of the successful soft- drink campaign as a peg on which to hang a book full of bloated expostulation. With the pride that is emblematic of his trade, Backer offers some big talk about ``big ideas,'' the profane Grail of the knights of Madison Avenue. His theory is that original ideas require nurturing from ``families''—sponsoring uncles, aunts, and godparents—and powerful folk who can give the affirmative nod to new notions. Reasonably, he reminds us to separate ideas from their execution. But it's all inflated and never strays far from the author's singular creative accomplishment. (He simply wanted to sell the world some soda pop with ``I'd like to buy the world a Coke''—a real example of pop culture.) To be sure, it's not uniformly dull. The narrative picks up with a description of the Coke shoot, and a few bits of Ad-land gossip help to relieve the tedium. Curiously, Backer has a tin ear for the English language. He innovates with the odd inverted clichÇ (``far and few between'') or inattention (someone ``is yet'' to perform a task). A false self-helper in which the author helps himself to some congratulation. Persuasive texts in this genre are few and far between, indeed. (Illustrations—not seen)
Pub Date: May 1, 1993
ISBN: 0-8129-1969-6
Page Count: 320
Publisher: Times/Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1993
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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