A funny novel that is hampered by its insistence on constant laughs.
Boggs relates the further comedic exploits of a TV celebrity English bull terrier in this novel.
At the opening of the author’s second novel “narrated” by Spike the Wonder Dog, the pup is already a national celebrity and fan favorite at WGHP-TV, the local station for which his master, Bud, is a producer. Things at the station are in flux, as Bud and his boss Lombardo—who also happens to be the mayor of their southern town—are scrambling to try to buy the station away from Sol “The Old Swede” Silverman, a centenarian accountant with a penchant for Viagra and inappropriate mansplaining. Much to Bud and Lombardo’s dismay, Sol wants to hand the station over to his forest-living, meth-addicted daughter Shoshana, all seemingly in an attempt to make up for giving her dog away when she was a child. Bud and Lombardo track her down and hatch a plan to rehab her into sanity—or push her away for good—by staging a reality TV show about her recovery, something they can get The Old Swede to agree to only if they can find him a “real date.” Meanwhile, as if things weren’t hectic enough, Bud falls victim to an expanding case of identity theft. As Bud and Lombardo scramble to secure a date for Sol (starting with a sex therapist, Dr. Kahill, a Dr. Ruth–type figure), the fight is on to get Shoshana clean, even though all she wants to do is travel the world performing her Carole King tribute. Boggs’ novel aims for laughs, and it is funny, no question (“Sadly ‘extra’ is one of the lowest rankings in the intricate but rarely discussed caste system in show business… just a touch above working as a bathing suit caddy in a Michael Phelps commercial”), but the wisecracks and one-liners are so relentless that, at times, the narrative seems to stagger under the weight of the ubiquitous jokes, or to have been forgotten altogether. Though the novel includes fun cameos from celebs ranging from Kate McKinnon to Anderson Cooper, readers may want more meat on the bone to make all the jokes palatable.
A funny novel that is hampered by its insistence on constant laughs.Pub Date: July 18, 2023
ISBN: 9781637589847
Page Count: 376
Publisher: Post Hill Press
Review Posted Online: March 6, 2025
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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