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DIRT

ADVENTURES IN LYON AS A CHEF IN TRAINING, FATHER, AND SLEUTH LOOKING FOR THE SECRET OF FRENCH COOKING

A lively, passionate homage to fine food.

An American family revels in French culture and cuisine.

Journalist and foodie Buford, a writer and editor for the New Yorker and former longtime editor of Granta, follows Heat (2006), his chronicle of cooking in Italy, with an ebullient, entertaining memoir of life in Lyon, where he, his wife, and two young sons settled so that he could indulge his desire to learn French cooking. Planning to stay six months, they wound up living in the city, renowned for its gastronomy, for several years, during which Buford worked for a baker, gained admission to an acclaimed cooking school, and toiled among the staff of a famous restaurant. The first months were difficult, he admits: “each member of our small family had come to doubt the wisdom of the project.” But he and his sons learned French (the children more quickly than their father), the boys assimilated to school, and his wife pursued her ambition to earn a diploma as a wine expert. Buford honed his skills as a chef and enthusiastically steeped himself in the culture of the French kitchen, where apprentices suffer “unregulated bullying and humiliation.” As the author demonstrates, French kitchens are no less hierarchical and combative than those in Italy, and nothing less than perfection is tolerated. It “was all about rules: that there was always one way and only one way” to peel asparagus, for example, devein goose livers, and construct puff pastry; that the three principles of a French plate are “color, volume, and texture”; and that the secret of glorious bread, meat, cheese, and wine is the soil. “What makes Lyonnais food exceptional,” Buford writes, is “a chef’s access to the nearby ingredients” from local farms, mountain lakes, and rivers. “Lyon,” he adds, “is a geographical accident of good food and food practices.” He describes in mouthwatering detail the many dishes he cooked and ate and the charming restaurants the family visited.

A lively, passionate homage to fine food. (first printing of 125,000)

Pub Date: May 5, 2020

ISBN: 978-0-307-27101-3

Page Count: 432

Publisher: Knopf

Review Posted Online: Feb. 29, 2020

Kirkus Reviews Issue: March 15, 2020

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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LIVES OTHER THAN MY OWN

The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...

The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.

The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.

Pub Date: Sept. 13, 2011

ISBN: 978-0-8050-9261-5

Page Count: 256

Publisher: Metropolitan/Henry Holt

Review Posted Online: Aug. 10, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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