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PEST CONTROL

A sweetly comic thriller that finally answers the age-old question: What if a sad-sack New York exterminator got his antennae crossed with the professionals who wipe out Homo sapiens? At his wit's (and checkbook's) end after walking off his job killing bugs with lethal cocktails, Bob Dillon schemes at his own unique approach to extermination: breeding predatory strains of insects who'll feast on termites and roaches without developing chemical-resistant new strains of pests or loading the planet with hazardous toxins. It's a plan with all the makings of an American success story, but it spins out of control when Bob's ad falls into the hands of a middleman who brokers assassinations and thinks Bob's sobriquet of ``the Exterminator'' is a veiled reference to his status as a hit man. Getting a faint whiff of the trouble in his future, Bob begs off the lucrative job he's offered. But when the victim is accidentally killed anyway, the middleman, assuming Bob's managed the job with unusual finesse, duly sends him his fee. So far, everything's as innocuous as the endless stream of double-entendres about extermination—except that (1) the UPS package with all that lovely money gets held up en route to Bob; (2) his wife and daughter, impatient with his uncompromisingly idealistic approach to pest control, walk out on him; and (3) the brother and murderer of a Bolivian druglord who wants to cover up his own crime screams that it was the work of the Exterminator and offers a $10 million bounty to whoever kills Bob—attracting all the top exterminators in the field. There's the subtle Chinese knife expert, the glamorous Frenchwoman, the parvenu Cowboy, the transvestite dwarf, and the melancholy, suicidal top man, whose unlikely friendship with his prospective target is the high point of this generally predictable tale. A first novel that's not sharply enough written to offer serious competition to Florida farceurs Hiaasen and Shames, but consistently sunny and good-humored. (Film rights to Warner Brothers)

Pub Date: March 1, 1997

ISBN: 0-380-97348-0

Page Count: 304

Publisher: Avon/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1997

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THE RUMOR

Once again, Hilderbrand displays her gift for making us care most about her least likable characters.

Hilderbrand’s latest cautionary tale exposes the toxic—and hilarious—impact of gossip on even the most sophisticated of islands.

Eddie and Grace Pancik are known for their beautiful Nantucket home and grounds, financed with the profits from Eddie’s thriving real estate company (thriving before the crash of 2008, that is). Grace raises pedigreed hens and, with the help of hunky landscape architect Benton Coe, has achieved a lush paradise of fowl-friendly foliage. The Panciks’ teenage girls, Allegra and Hope, suffer invidious comparisons of their looks and sex appeal, although they're identical twins. The Panciks’ friends the Llewellyns (Madeline, a blocked novelist, and her airline-pilot husband, Trevor) invested $50,000, the lion’s share of Madeline’s last advance, in Eddie’s latest development. But Madeline, hard-pressed to come up with catalog copy, much less a new novel, is living in increasingly straightened circumstances, at least by Nantucket standards: she can only afford $2,000 per month on the apartment she rents in desperate hope that “a room of her own” will prime the creative pump. Construction on Eddie’s spec houses has stalled, thanks to the aforementioned crash. Grace, who has been nursing a crush on Benton for some time, gives in and a torrid affair ensues, which she ill-advisedly confides to Madeline after too many glasses of Screaming Eagle. With her agent and publisher dropping dire hints about clawing back her advance and Eddie “temporarily” unable to return the 50K, what’s a writer to do but to appropriate Grace’s adultery as fictional fodder? When Eddie is seen entering her apartment (to ask why she rented from a rival realtor), rumors spread about him and Madeline, and after the rival realtor sneaks a look at Madeline’s rough draft (which New York is hotly anticipating as “the Playboy Channel meets HGTV”), the island threatens to implode with prurient snark. No one is spared, not even Hilderbrand herself, “that other Nantucket novelist,” nor this magazine, “the notoriously cranky Kirkus.”

Once again, Hilderbrand displays her gift for making us care most about her least likable characters.

Pub Date: June 16, 2015

ISBN: 978-0-316-33452-5

Page Count: 384

Publisher: Little, Brown

Review Posted Online: May 20, 2015

Kirkus Reviews Issue: June 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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