Yet another good novel from Up North. Canadian fiction is more than coming into its own; it may be the wave of the immediate...
An immensely likable first US appearance for Canadian poet and novelist Gaston, who brings to engaging life the black-comic trials and tribulations of a former semipro hockey player contending with multiple sclerosis and (though he'd never call it this) separation anxiety.
Out of hockey at 40 and very much deserving his nickname, Bob "Loose" Bonaduce impulsively enrolls at the University of New Brunswick, planning to earn a master's degree in English (he's formally educated and a sometime poet) while reuniting with (and perhaps playing collegiate hockey alongside) his son, Jason. Gaston gives his narrator Bob an agreeable, attractive voice—wry, witty, and not about to be easily impressed—by the hilariously described graduate seminars he attends, the passel of much younger housemates he cohabits with, or the enervating disease that's slowly stalking him. The novel commands a broad range of scenes and effects. Brief flashbacks and terse excerpts from Bob's writing exercises (which rudely fictionalize the lives of various friends and acquaintances) mix seamlessly with the more extensive present action: Bob's hesitant overtures toward both Jason and his mother, Leah, whom Bob abandoned but never divorced; and his bonding with Leah's new mate, Oscar, a beautifully realized secondary character. Even better drawn is Bob himself, fully rounded and most appealing with his rugged fatalism, rough-hewn wit, and genuine love for the boy he walked away from. Jason is, Bob well knows, his best reason for fighting in the creases with MS: "because of this son's existence, life would never be empty." A few rock-music references and bar-hopping bits seem pretty generic, and the closing pages do not refrain from jerking a few tears, but, hey, if you liked the film Breaking Away, let's say, there's no reason to resist the many charms of Good Body.
Yet another good novel from Up North. Canadian fiction is more than coming into its own; it may be the wave of the immediate fictional future.Pub Date: Feb. 12, 2001
ISBN: 0-06-039411-0
Page Count: 288
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2001
BOOK REVIEW
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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