Granger (Drover and the Designated Hitter, 1994, etc.) takes time out from his Drover and November Man series to offer a plodding, talky baseball fantasy. It's the near-future, and George Bremenhaven, hateful owner of the New York Yankees, has cleared his floundering baseball team's roster of its highly paid talent. With the connivance of sinister State Department officials, George induces the economically disadvantaged Fidel Castro to draft two dozen young Cuban players to replace the club's handsomely compensated also-rans. The sole Anglo to survive this purge is Ryan Shawn, an almost over-the-hill relief pitcher who narrates the sorry tale in the ruefully self- conscious style of a half-smart rube auditioning for a Dan Jenkins novel. A native of West Texas, Ryan has been retained because he speaks serviceable Spanish and tightfisted George considers him controllable. But egged on by Charlene Cleaver, an eccentric Houston nutritionist with whom he's romantically involved, Ryan proves appreciably less compliant than anticipated. Although named manager of the Bronx Bombers (a.k.a. ``Yanquis'' by fans who revile the expatriate players as communists), he bucks his boss at every opportunity. Nor does Ryan accommodate the government hard cases who want to keep the US numero uno in the Caribbean, albeit not at the cost of pinstriped spics beating Americans at their own game. In time, of course, the homesick Latino rookies get their act together and win the pennant. Ryan even hurls a no-hitter in relief of a starter who has been ejected for inciting a brawl. Before these anticlimactic triumphs (and George's comeuppance), however, there are extra innings of whiny yak about greed, lost loves, aging athletes, generation gaps, political incorrectness, and other of the national pastime's unsuspected aspects. Good field; no hit. Granger's fable never quite lives up to the antic promise of its imaginative premise.
Pub Date: April 6, 1995
ISBN: 1-55970-289-3
Page Count: 272
Publisher: Arcade
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1995
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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