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THE GREAT BEING

A somewhat uneven but enthralling tale of humanity’s origins and cosmic espionage.

In Harvey’s retelling of the creation myth, heavenly agents combat a growing rebellion unfolding on Earth.

Billions of years ago, the Nothingness begins creating a new multiverse. Ultimately adopting the name The Great Being, He makes avatars to which He grants free will. Hardhearted Lucifer uses his free will to rebel, creating his personal line of avatars, who then reproduce on their own. To contend with Lucifer’s mounting forces, The Great Being forms the Agents of Cosmic Intelligence. Agents Layla and Melchizedek’s first mission takes place on Earth: They’re born into human bodies (as twin siblings) with “newly-evolved brains.” As they gradually teach Neanderthals language, they run into a serious problem—the two periodically forget their true identities. This becomes a greater concern on their next mission, which begins 160,000 years later. They return to Earth to take over two recently expired male bodies and become part of a tribe. The mission details aren’t immediately clear, though Layla and “Melchi” encounter a leader who may very well be one of Lucifer’s rebels. As the agents once again lose themselves in their human forms, the rebels (“awakened” in human bodies) can’t be sure if these warriors secretly belong to The Great Being’s intelligence branch. The rebels have “altered” human brains, which are inclined to “[take] over” entirely, and everyone has trouble remembering who they really are. In the book’s final third, yet another Earthbound mission sees five agents mingling with a host of biblical figures, including Abram (Abraham), Nimrod, and Lot.

Much of Harvey’s first installment in this new series is conceptual. That’s perfectly understandable when The Great Being forms ideas and creatures from nothing, but once the agents take on human bodies and interact with others on Earth, the meager character descriptions are much harder to accept. (The two corpses that Layla and Melchi “revive” are simply identified as “one blonde and the other darker of hair and skin.”) In the same vein, certain narrative elements pop up with nary an explanation, such as the rebels’ Planetary Command and the Free Will Zone. There’s a “cosmic smartphone,” which is unquestionably amusing but narratively immaterial; it “[functions] almost as well as” the telepathy that both agents and rebels commonly use to communicate. Still, this story deftly explores human nature—the uplifting qualities and dour traits alike: In the first mission, the often-genial agents nearly succumb to their own egos, merely over a disagreement about who concocted a successful but relatively minor plan. While the two strive to teach the humans compassion, the Earthly tribespeople seem much more interested in battle than in seeking peaceful solutions to problems. The second mission (and the longest, narratively) delightfully zeroes in on the question of identity as Layla and Melchi, on Earth primarily to teach, are sometimes driven to adopt the same behaviors and beliefs as humans. Layla’s personal confusion is particularly intriguing, as developing feelings for Melchi (her former teacher) ostensibly conflict with her male body’s sexual attraction to his wife.

A somewhat uneven but enthralling tale of humanity’s origins and cosmic espionage.

Pub Date: March 1, 2024

ISBN: 9780918538215

Page Count: 261

Publisher: The Human Effectiveness Institute

Review Posted Online: April 11, 2024

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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  • New York Times Bestseller

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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