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THE PUSHCART PRIZE XLVIII

BEST OF THE SMALL PRESSES

The state of the art, and required reading for all students of contemporary writing.

Henderson’s annual labor-of-love anthology turns 48.

For nearly half a century, the Pushcart Prize volumes have served not just as showcases for exemplary writing but also as mirrors of their time: In one stretch everyone seemed to write like Raymond Carver, in another like Annie Proulx. This volume is more catholic than all that in style but is very much a mirror of current concerns. Editor Henderson himself sets the tone by decrying the thought that AI aims to replace flesh-and-blood writers, direly announcing, "For the record Pushcart will reject all chatbot plagiarisms and will ban forever any human attempting to foist machine products on our editors." The 63 selections that follow are human, all too human. Sophie Klahr’s poem "Tender" mourns the merciful euthanasia of a young black bear burned in a wildfire, closing with her instructions to her writing students: "I’ll say a sonnet is a little song / to hold a thing that otherwise cannot / be held: a lonely thing; a death; a bear." In "What if Putin Laughed," Steve Stern examines the figure of the shlemiel as "the quintessential Jewish archetype," closing his essay with a well-worn but still up-to-the-minute joke told on Vladimir Putin by Volodymyr Zelensky. Matthew Neill Null delivers "The Dropper," a powerful short story that portrays a dog rescuer forever troubled by the horrors that people can inflict on animals. "You talk to your neighbors, you figure out right quick who’d’ve been Nazis," he murmurs. And in "The Blob," an essay that’s both beautifully expressed and downright depressing, Molly Gallentine looks at climate change in part through the lens of the 1958 creature-feature film The Blob, closing on just the right note as the title critter is locked in ice: Says a policeman, "I don’t think it can be killed, but at least we’ve got it stopped.: Answers Steve McQueen, "Yeah, as long as the arctic stays cold."

The state of the art, and required reading for all students of contemporary writing.

Pub Date: Dec. 5, 2023

ISBN: 9798985469721

Page Count: 580

Publisher: Pushcart

Review Posted Online: Oct. 10, 2023

Kirkus Reviews Issue: Nov. 1, 2023

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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HALF HIS AGE

A debut novel with bright spots, but unbalanced and lacking in finesse.

A high school senior pursues an affair with her teacher.

Seventeen-year-old Waldo, the narrator of McCurdy’s fiction debut, lives in Anchorage, Alaska, with her mother, though she’s long been the parent in their relationship. She heats her own frozen meals and pays the bills on time while her mom chases man after man and makes well-meaning promises she never keeps. Waldo blows her Victoria’s Secret wages on online shopping sprees and binges on junk food, inevitably crashing after the fleeting highs of her indulgences. Mr. Korgy, her creative writing teacher, has “thinning hair and nose pores”; he’s 40 years old and married with a child. Nevertheless—or possibly as a result?—Waldo’s attraction to him is “instant. So sudden it’s alarming. So palpable it’s confusing.” Mr. Korgy professes to want to keep their friendship aboveboard, but after a sexual encounter at the school’s winter formal that she initiates, an affair begins. Will this reckless pursuit be the one that actually satisfies Waldo, and is she as mature as she thinks she is? Waldo is a keen observer of people and provides sharp commentary on the punishing work of female beauty. Readers of McCurdy’s bestselling memoir, I’m Glad My Mom Died (2022), will surely be curious about the tumultuous mother-daughter relationship, and it is one of the novel’s highlights, full of realistic pity and anger and need. (“I want to scream at her. I want her to hug me.”) Unfortunately, the prose is often unwieldy and sometimes downright cringeworthy: When Waldo tells Mr. Korgy she loves him, “The words hang in the air in that constipated way they do when you know that you shouldn’t have said them.” Waldo frequently lists emotions and adjectives in triplicate, and events that could be significant aren’t sufficiently explored or given enough space to breathe before the novel races on to the next thing.

A debut novel with bright spots, but unbalanced and lacking in finesse.

Pub Date: Jan. 20, 2026

ISBN: 9780593723739

Page Count: 288

Publisher: Ballantine

Review Posted Online: Nov. 22, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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