by Bill Holm ‧ RELEASE DATE: Oct. 1, 2000
Holm mixes keen you-are-there observations with profound bits of homespun philosophizing, and never once does he sound a...
An expertly wrought memoir of journeys to islands real, metaphorical, and imagined.
Minnesota poet Holm (The Heart Can Be Filled Anywhere on Earth, 1996) finds it significant that his name means “island” in Old Norse. As a withdrawn and bookish child, he had to make his own island of a patch of grass under a rare prairie tree; as a more outgoing adult, he has traveled to many islands, several of which—Madagascar, Molokai, and Iceland among them—he profiles in this tightly knit collection of travel essays. “Islands are necessary,” the author declares, “for us to be able to think about what is true at the bottom of our own character; we need to reduce the world for a while to count it and understand it.” One thing that is true, Holm insists (gainsaying John Donne), is that we are all, in fact, islands—a sentiment that he reinforces with a lonely memoir of a sojourn in the landlocked Chinese city of Wuhan, where he confronted the profound sense of exile that can unmoor the most intrepid traveler. “When you find yourself islanded, ‘retrospect’ is the cruelest non sequitur of all,” he writes of such moments. “Avoid it.” Mostly Holm is upbeat, however, and he celebrates the very real pleasures of spending time on little pockets of the world that are at a far remove from any other place. That does not mean, he adds, that islands, however remote, do not change. His beloved Iceland, on which he’d spent time as a teacher in the 1970s, was once a forgotten backwater; but on a return trip in 1999 he discovers that it has become a vibrant and utterly modern place that seems in many respects not so different from Copenhagen or Minneapolis. And, whereas Madagascar was once a lost world primeval, he notes that it has now been logged and farmed to splinters and clods.
Holm mixes keen you-are-there observations with profound bits of homespun philosophizing, and never once does he sound a false note. The result is a pleasure for islomanes, and for anyone who appreciates good writing.Pub Date: Oct. 1, 2000
ISBN: 1-57131-245-5
Page Count: 356
Publisher: Milkweed
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2000
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by Bill Holm
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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