by Bill Hunt ‧ RELEASE DATE: Oct. 4, 2013
A well-intentioned but inconsistent smorgasbord of Southern vignettes.
Hunt (A Full-Grown Man, 2009) offers a playful collection of short stories set in the American South and featuring plenty of local color and family drama.
These stories, billed as “somewhat peculiar,” highlight 10 different voices, united mainly by their Southern drawl. The opening story, about an aging mixed-race hermit and her riches, as told to a rookie Latino reporter, sits alongside a doctor’s account of an eerily intimate exchange with his new patient; the story of a family squatting and stealing to get by; and the tale of an uncultured Alabama father begrudgingly accompanying his wife and daughter on a trip to Europe. In these diverse scenarios, Hunt repeatedly returns to the theme of family conflict. Although he doesn’t shy away from confronting race and class violence, he also shows how trauma can come from those closest to us. These stories range in tone from unsettling to nearly devastating, but they occasionally offer a glimmer of hope. With such ambitious scope, however, they sometimes fall short of their attempted depth, with subtleties often obscured by awkward prose and half-formed ideas. In “Soul Mates,” for example, a recently dead narrator thinks, “The how, when, or why were totally disregarded in the format of information that clicked through my mind.” This experimental attempt to narrate disorientation unfortunately falls flat, as it lacks a precise voice or vision. However, there are successes, such as the charming romance “Willie” and the emotional “Special Arrangements at Mickey Spitzer’s,” a black child’s account of rural poverty. Readers may find some of the forced, stereotypical speech patterns uncomfortable at times (“You waitin’ for Miz Willie, Mista White Man?”). However, the author’s critique of social hierarchy is ultimately the book’s engine, and although the collection may be a bit spotty, his picture of a complex society fully emerges by the end.
A well-intentioned but inconsistent smorgasbord of Southern vignettes.Pub Date: Oct. 4, 2013
ISBN: 978-1490423906
Page Count: 196
Publisher: CreateSpace
Review Posted Online: Dec. 18, 2013
Review Program: Kirkus Indie
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by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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by Kristin Hannah ‧ RELEASE DATE: July 1, 2002
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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