From interviews and archival documents, Lascher creates a seamless narrative of daring and dedication.
Two journalists caught in war and love.
In 1936, when Stanford undergraduate Melville Jacoby first visited China on a student exchange program, he immediately felt drawn to the region and to travel. “The itch is perpetual,” he confessed. Jacoby returned to Stanford to focus his studies on Asian affairs and journalism, and by 1939, he had gathered enough writing assignments for a return to Asia. Briefly back in the United States, he met and fell in love with Annalee Whitmore, a writer who shared his fascination with the Far East. In 1941, she followed him there, and the two married. When journalist Lascher discovered that Mel Jacoby was his cousin, he was inspired to find out as much as he could about the man political journalist Theodore White called “one of the greatest U.S. war correspondents.” The result is a gripping, impressively researched debut, both a biography of Jacoby and a history of Asia in the throes of war. Mel and Annalee soon settled in Manila, where Mel became Time magazine’s Far East bureau chief; his reporting gave America its only “window onto the buildup for war in the Pacific.” Lascher ably conveys the frustration of Army officers with the “Europe First” strategy, which left them without necessary supplies and soldiers. He chronicles Japan’s increasing belligerence, the Nanking massacre, unceasing bombing, and internment of reporters. Fearing for their lives, Mel and Annalee left Manila, burning piles of notes before they fled to Corregidor. From there, they closely followed the war, including the “subdivision of hell” on the Bataan Peninsula. Soon, though, they needed to escape once more, this time making a slow, dangerous journey to Australia, traveling by boat only at night. From Melbourne, they learned of the Bataan Death March, which killed between 7,000 and 10,000 Americans and Filipinos.
From interviews and archival documents, Lascher creates a seamless narrative of daring and dedication.Pub Date: June 21, 2016
ISBN: 978-0-06-237520-9
Page Count: 416
Publisher: Morrow/HarperCollins
Review Posted Online: April 5, 2016
Kirkus Reviews Issue: May 1, 2016
Fans of Aunty Entity and the lady who showed Mick Jagger his best moves will delight in Turner’s lightly spun memoir.
Rock-’n’-soul icon Turner is happy at last, and she wants the world to know it.
The love story of the title is specific: The 78-year-old singer has been with her German mate for 33 years, and though bits and pieces of her body have been failing and misbehaving—she recounts a stroke, kidney failure, cancer, and other maladies—her love is going strong. It’s also generalized: Turner, born Anna Mae Bullock in Nutbush, Tennessee, is enchanted by the world, from her childhood countryside to the shores of Lake Zurich, where she has lived nearly half her life. There was another love story, of course, the one that fans will know and lament: her marriage to the drug-addicted, philandering Ike Turner, of whom she writes, pointedly, “at this point in my life, I’ve spent far more time without Ike than with him.” The author emerges from these pages as self-aware and hungry for knowledge and experience. Who knew that she was a dedicated reader of Dante as well as a “favorite aunt” of Keith Richards and a practitioner of Buddhism of such long standing that Ike himself demanded that she lose her shrine? The gossip is light, though she’s clear on the many reasons she broke away from Ike. She’s also forgiving, and as for others in her circle over the years, she calls Mel Gibson “Melvin” because of his “little boy quality,” though she doesn’t approve of certain bad behavior of his. Mostly, her portraits of such figures as David Bowie and Bryan Adams are affectionate, and the secrets she reveals aren’t terribly shocking. Those fishnet stockings and short skirts, she lets slip, were more practical than prurient, the stockings running less easily than nylons and the short skirts “easier for dancing because they left my legs free."
Fans of Aunty Entity and the lady who showed Mick Jagger his best moves will delight in Turner’s lightly spun memoir.Pub Date: Oct. 16, 2018
ISBN: 978-1-5011-9824-3
Page Count: 272
Publisher: Atria
Review Posted Online: Nov. 13, 2018
A standout immigrant coming-of-age story.
In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.
Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”
A standout immigrant coming-of-age story.Pub Date: Aug. 28, 2012
ISBN: 978-1-4516-6177-4
Page Count: 320
Publisher: Atria
Review Posted Online: June 11, 2012
Kirkus Reviews Issue: July 1, 2012
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