A reasonable if perhaps quixotic plea for the boomers to rise from the couch and get back to work fixing their messes.
The prolific writer and activist finds some of the causes of our societal meltdown in the idyllic suburbs of his youth.
“We were better consumers than citizens,” writes McKibben of his generation, the original counterculturalists who mounted rebellions against the war in Vietnam, racial injustice, and inequalities of many kinds. What happened? Well, those suburban kids took their detachments from cities and communities and extended them into the hyperindividualism of today, its governing motto “you’re not the boss of me.” McKibben capably picks apart long-ago history to find present themes. He looks deeply into the role of his hometown, Lexington, Massachusetts, in firing the revolutionary “shot heard ’round the world” only to discover that even there, slavery existed until well into the 19th century. The town may have been one of the first to honor Martin Luther King Jr.’s birthday even though it was, as McKibben writes, “overwhelmingly white,” but it was also sharply divided in climacteric moments such as the Vietnam War. The author locates many of these divisions in the present culture, many owing to the “generation that grew up in those suburbs in those years.” Sure, they may have played in the same creek and the same fields, but many of them voted for Donald Trump and have zero interest in paying higher taxes to address issues like the climate crisis. McKibben finds hope in the thought that some of his generation’s contrarian ardor can be rekindled, which is pleasing yet a little unconvincing. Even he allows, in this well-constructed narrative, that the odds are long. “For me,” he writes, “the scariest thing about the last forty years, even more than the rising temperature, was the ascension of the libertarian idea that the individual matters far more than the society an individual inhabits.”
A reasonable if perhaps quixotic plea for the boomers to rise from the couch and get back to work fixing their messes.Pub Date: May 31, 2022
ISBN: 978-1-250-82359-5
Page Count: 240
Publisher: Henry Holt
Review Posted Online: Feb. 18, 2022
Kirkus Reviews Issue: March 15, 2022
PROFILES
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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