A gorgeous tribute to a classic work of pop art.
To celebrate the 50th anniversary of the animated film of the same name, comics and animation veteran Morrison (DC Meets Looney Tunes, 2018, etc.) presents a graphic novel adaptation of the Beatles’ psychedelic journey to a utopia under siege by belligerent “Blue Meanies.”
Pepperland is a paradise of lovely, positive people, Technicolor foliage, and musical appreciation. That appreciation isn’t shared by the Blue Meanies, a collection of maniacal, six-fingered humanoids with bodies like storm clouds and boots made for stomping. The Meanies, along with an assortment of nightmarish henchmen, launch an assault on Pepperland, silencing the music and rendering the citizenry frozen statues. One man escapes into the titular yellow submarine (Pepperland is at the bottom of the ocean, though the physics of that never come into play) and recruits musicians John, Paul, George, and Ringo to help! As they descend the depths, the group encounters a boxing tyrannosaur, meets a squirrely genius “nowhere man” and wrestles with time itself. But plot is secondary in this mind-bending adventure, where striking imagery and unbridled imagination deliver a treat on each page. The book faithfully follows the original film, from the iconic designs by Heinz Edelmann to plot points and cheeky wordplay (though some beats don’t land as well removed from the animation, feeling a bit rushed and working more as homages than standing on their own). If anything, the graphic novel has a more robust look than the film, thanks in large part to colorist Nathan Kane. Here, functional narration replaces the film’s musical numbers, though the lyrical quality of the proceedings is beautifully retained by Morrison’s inspired paneling, where right angles are rare, favoring instead swooshes and circles and pages broken up by large, dazzling characters and ornate frames.
A gorgeous tribute to a classic work of pop art.Pub Date: Aug. 7, 2018
ISBN: 978-1-78586-394-3
Page Count: 112
Publisher: Titan Comics
Review Posted Online: May 14, 2018
Kirkus Reviews Issue: June 1, 2018
Another winner from Ware, up there with Jimmy Corrigan.
Like the cartoon equivalent of Willy Wonka—a graphic visionary opens the door to his creative factory with a wide-ranging anthology that conjures a world (if not a universe) unto itself.
Before he helped spur the graphic novel to greater cultural legitimacy and mainstream popularity with Jimmy Corrigan: The Smartest Kid on Earth (2000), Chicago artist Ware had established a devoted following among comic connoisseurs with his work under the periodical ACME Novelty Library banner. This tabloid-sized collection of short strips suggests a manifest destiny of the imagination, as Ware moves all over the artistic landscape, from the retro homage of Quimby the Mouse to the sci-fi futurism of Rocket Sam and Tales of Tomorrow to the new frontier of Big Tex. (Inevitably, Jimmy Corrigan pops in as well.) Many of these strips are a single page or less, and some of them are not accompanied by text. Ware elsewhere employs plenty of small-type language to subversive advantage through a series of comic-book advertisements that suggest the cultural imperialism of America-the-theme-park, and the quick-fix, self-help capitalism that puts a price on everything from creativity to sexual/spiritual fulfillment to reason to live. Cutting closest to the subculture that shaped Ware’s sensibility are the ongoing adventures of Rusty Brown, in his move from geeky kid to obsessive collector. For those willing to dismantle the book as a disposable artifact, there are cut-and-fold projects for assembly and a constellation chart of the cosmos suitable for wall-hanging. Ultimately, the artist argues that the essence of cartooning isn’t drawing; that this is a complex language of pictures and works, meant to be read rather than merely viewed. The innocence of childhood comics, the formal precision of design (almost art deco in some places) and the darker realities of modern life find an edgy balance in Ware’s work.
Another winner from Ware, up there with Jimmy Corrigan.Pub Date: Sept. 1, 2005
ISBN: 0-375-42295-1
Page Count: 108
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
This volume should expand the cult following of a cutting-edge illustrator.
There’s nothing funny about high school in this black-and-white comics collection, which should strike a particularly sharp chord among those who endured and survived their adolescent rites of passage in the early 1970s.
Though originally issued as a series of 12 comic books, this anthology by the Seattle-based Burns (Big Baby, 1985) has the thematic coherence of a graphic novel. It details the sexual and psychedelic misadventures of a group of teenagers, from their initiation into the grisly mysteries of Biology 101 through a summer in which some of their lives seem like science experiments gone awry. Within the world delineated through the nightmare caricatures of Burns, intercourse can leave an indelible impression on the skin, like a strange stigmata, while indulging in drugs can blur the already thin line between reality and illusion. Identity is up for grabs, as experience and circumstance wreak transformations that leave some of these kids strangers to themselves, as well as to their friends. Yesterday’s girl next door falls under the glam-rocking spell of David Bowie’s Diamond Dogs, while Neil Young’s equally popular Harvest seems to serenade a parallel sphere. This is a world in which boys discover that girls have tails, and girls discover that boys are unfathomable. Ultimately, these befuddled characters drift away from the security of home and the regularity of familiar relationship into a wooded wilderness where they stumble upon dismembered limbs and strange effigies and run the risk of disappearing into a variety of black holes. If this were a movie (and in the wake of Sin City, it could be), it would need to be toned down and cleaned up to avoid an NC-17 rating. Yet Burns uses full-frontal nudity for more than titillation (the sex isn’t very sexy, the flesh often repugnant) and disturbing imagery for more than shock value. If the world he conjures is unsettling, it’s also eerily familiar.
This volume should expand the cult following of a cutting-edge illustrator.Pub Date: Oct. 18, 2005
ISBN: 0-375-42380-X
Page Count: 352
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
BOOK TO SCREEN
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
