Middling, professional-grade work for this long-running series, whose most notable feature is a broad hint in its closing...
An autumnal pair of cases for the Nameless Detective Agency explores the strains in two very different marriages.
Wives leave their husbands all the time, but James Cahill assures Nameless (Zigzag, 2016, etc.) that his wife never would have left him. Ever since she killed someone in a car accident four years ago, Alice Cahill has become severely agoraphobic and couldn’t even have ventured out to her front porch without suffering a panic attack. The members of Alice’s laughably small circle—her sister, Kendra Nesbitt; her brother-in-law and physician, Paul Nesbitt; and jewelry designer Fran Woodward, her best friend from college—don’t know a thing. The only leads are a threatened lawsuit by Grace Dellbrook, who insists that Alice’s romance novel The Convenient Bride plagiarized parts of Grace’s earlier What the Bride Found Out, and a neighbor’s account of seeing a light-colored sedan pull into the Cahill garage on the day Alice went missing. While Nameless beats the bushes, his operative Jake Runyon is ripping the lid off a different set of marital and extramarital secrets. Patricia Dennison is convinced that her husband, Philip, who accidentally died during a stay in a remote cabin he borrowed from a college friend, wasn’t spending his week away alone, and she wants Jake to find the other woman so she can say a few choice things to her. Jake finds out a lot more than that, making unwelcome discoveries about Philip Dennison, his women, and Joshua Fleming, Jake’s own long-estranged son.
Middling, professional-grade work for this long-running series, whose most notable feature is a broad hint in its closing pages that it may well be its nameless hero’s last case.Pub Date: June 13, 2017
ISBN: 978-0-7653-8818-6
Page Count: 256
Publisher: Forge
Review Posted Online: May 1, 2017
Kirkus Reviews Issue: May 15, 2017
As tangled and turbulent as the hero’s nightmares, and that’s saying quite a bit.
Having survived his tempestuous debut, P.T. Marsh, of Georgia's Mason Falls Police Department, is back for more—including some residue from that first case that just won’t go away.
Dispatched like an errand boy to wealthy real estate mogul Ennis Fultz’s home to find out why he hasn’t joined his bridge buddies, Mayor Stems and interim police chief Jeff Pernacek, for their monthly game, Marsh and his partner, Remy Morgan, find Fultz dead in his bed. It turns out that his passing, devoutly longed for by so many of the people he’d crushed or outwitted on his way to the top, was helped along by the strategic dose of nitrogen somebody substituted for the oxygen he inhaled regularly, especially when he was expecting particular demands on his virility. Marsh and Morgan quickly focus on two candidates who might have made those demands: Suzy Kang, a recent visitor who was so eager to cover any traces that she’d been to Fultz’s house that she sold the car she’d driven there, and Connie Fultz, the victim’s ex-wife and perhaps his current lover, who acidly swats them away and tells them: “Look for some little gal who’s into bondage.” McMahon excels in sweating the procedural details of the investigation, which take the partners from a search for Suzy Kang and that missing car to a not-so-accidental car crash that’s evidently targeted a young girl who has no idea she’s implicated in the case. But he’s set his sights higher, taking in everything from a civil suit the relatives of the perp Marsh shot in The Good Detective (2019) have launched against him to a possible conspiracy behind the deaths of his deeply grieved wife and son, all of it larded with Georgia attitude and truisms, a few of which rise to eloquence (“I wasn’t good at faith. I was good at proof”).
As tangled and turbulent as the hero’s nightmares, and that’s saying quite a bit.Pub Date: March 3, 2020
ISBN: 978-0-525-53556-0
Page Count: 368
Publisher: Putnam
Review Posted Online: Dec. 8, 2019
Kirkus Reviews Issue: Jan. 1, 2020
Schneider’s debut enlivens the police procedural with offbeat characters and an appealingly complex hero.
Hollywood detectives catch the strange case of a brutally burned body.
Detective Tully Jarsdel is a former academic, leading his partner, Morales, to call him Professor. When he fights his way through multiple news crews to reach a corpse one day, it's unlike any he’s ever seen. The body is twisted, partially ravaged, and burned so badly it’s unrecognizable. Jarsdel and Morales intensely question Dustin Sparks, the horror-movie special-effects expert who found the body. He eventually admits that he saw the body being dumped from a van, but his addiction to OxyContin makes him a compromised witness. While waiting for DNA results, Jarsdel and Morales watch missing persons reports closely. An odd red disk glued to the victim’s palm turns out to be a 1996 quarter painted red: the case’s first clue, albeit a murky one. DNA connects the victim to grizzled convict Lawrence Wolin, who identifies the man as his brother. The pieces of Grant Wolin’s life come together via interviews prompted by a search of his dirty apartment. He sold jars of “genuine Hollywood dirt” on the street, smoked marijuana occasionally, and was apparently asexual. A dinner scene at the home of Jarsdel’s scholarly parents provides insight into his psyche and his sense of isolation. Though he fits in with neither the gritty world of police work nor the ivory tower of academia, he has a passion for justice.
Schneider’s debut enlivens the police procedural with offbeat characters and an appealingly complex hero.Pub Date: Feb. 4, 2020
ISBN: 978-1-4926-8444-2
Page Count: 336
Publisher: Poisoned Pen
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
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