A sweet nothing of a sequel to Bachelor Brothers' Bed and Breakfast (1996), a collection of recipes, book lists, and slightly silly narrative noodlings about the lives of fraternal twins Hector and Virgil, their pets, their guests, acquaintances, and idle hours at their British Columbian island retreat. When we last left the brothers, whose stories have become Canadian broadcaster Richardson's coyly amusing stock-in-trade, life was close to perfect, even if the inn's assortment of eccentric, blue-haired guests could be counted on to set off controversies about breakfast garnishes and yogic breathing. After being offered lists of the brothers' favored cookbooks, some peculiar recipes, and titles appropriate for lavatory reading, we learn that Hector has adjusted to his intermittently passionate relationship with lubriciously feminine journalist Altona, and Virgil, who still can't abide the sound of a saxophone, can smile kindly on the fishy belches of Waffles the cat. The brothers have taken on a handyman, Caedon Harkness, an unemployed roof-thatcher and proud owner of Canada's only thatched-roof mobile home. Harkness was found acceptable by Mrs. Rochester, the inn's Bible-quoting parrot, and now shatters the mornings by humming arias from Tosca and Turandot as he dusts. A whiff of a plot appears about 70 pages in, when local poet Solomon Solomon, disreputable lecher and drunk, is apparently incinerated when his 12-foot-thick ball of cigarette foil is struck by lightning. Could the mysterious, coded manuscript found in a locked safe behind a bad painting in the brothers' inn be the poet's perverse masterwork? Did he know the bachelors' long-deceased mother? And, oh, yes, does anybody need a recipe for bottled pickles? Harmless, sweetly miscellaneous glimpses into a pastoral paradise that, at its best, resembles its author's definition of a good bathroom book: so ``sufficiently pithy that it can be absorbed in brief spurts.''
Pub Date: Oct. 16, 1997
ISBN: 0-312-16779-2
Page Count: 208
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1997
BOOK REVIEW
BOOK REVIEW
This is the sort of book that stirs one so deeply that it is almost impossible to attempt to convey the impression it leaves. It is the story of today's Exodus, of America's great trek, as the hordes of dispossessed tenant farmers from the dust bowl turn their hopes to the promised land of California's fertile valleys. The story of one family, with the "hangers-on" that the great heart of extreme poverty sometimes collects, but in that story is symbolized the saga of a movement in which society is before the bar. What an indictment of a system — what an indictment of want and poverty in the land of plenty! There is flash after flash of unforgettable pictures, sharply etched with that restraint and power of pen that singles Steinbeck out from all his contemporaries. There is anger here, but it is a deep and disciplined passion, of a man who speaks out of the mind and heart of his knowledge of a people. One feels in reading that so they must think and feel and speak and live. It is an unresolved picture, a record of history still in the making. Not a book for casual reading. Not a book for unregenerate conservative. But a book for everyone whose social conscience is astir — or who is willing to face facts about a segment of American life which is and which must be recognized. Steinbeck is coming into his own. A new and full length novel from his pen is news. Publishers backing with advertising, promotion aids, posters, etc. Sure to be one of the big books of the Spring. First edition limited to half of advance as of March 1st. One half of dealer's orders to be filled with firsts.
Pub Date: April 14, 1939
ISBN: 0143039431
Page Count: 532
Publisher: Viking
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: April 1, 1939
This novel began as a reworking of W.W. Jacobs' horror classic "The Monkey's Paw"—a short story about the dreadful outcome when a father wishes for his dead son's resurrection. And King's 400-page version reads, in fact, like a monstrously padded short story, moving so slowly that every plot-turn becomes lumberingly predictable. Still, readers with a taste for the morbid and ghoulish will find unlimited dark, mortality-obsessed atmosphere here—as Dr. Louis Creed arrives in Maine with wife Rachel and their two little kids Ellie and Gage, moving into a semi-rural house not far from the "Pet Sematary": a spot in the woods where local kids have been burying their pets for decades. Louis, 35, finds a great new friend/father-figure in elderly neighbor Jud Crandall; he begins work as director of the local university health-services. But Louis is oppressed by thoughts of death—especially after a dying student whispers something about the pet cemetery, then reappears in a dream (but is it a dream) to lead Louis into those woods during the middle of the night. What is the secret of the Pet Sematary? Well, eventually old Jud gives Louis a lecture/tour of the Pet Sematary's "annex"—an old Micmac burying ground where pets have been buried. . .and then reappeared alive! So, when little Ellie's beloved cat Church is run over (while Ellie's visiting grandfolks), Louis and Jud bury it in the annex—resulting in a faintly nasty resurrection: Church reappears, now with a foul smell and a creepy demeanor. But: what would happen if a human corpse were buried there? That's the question when Louis' little son Gage is promptly killed in an accident. Will grieving father Louis dig up his son's body from the normal graveyard and replant it in the Pet Sematary? What about the stories of a previous similar attempt—when dead Timmy Baterman was "transformed into some sort of all-knowing daemon?" Will Gage return to the living—but as "a thing of evil?" He will indeed, spouting obscenities and committing murder. . .before Louis must eliminate this child-demon he has unleashed. Filled out with overdone family melodrama (the feud between Louis and his father-in-law) and repetitious inner monologues: a broody horror tale that's strong on dark, depressing chills, weak on suspense or surprise—and not likely to please the fans of King's zestier, livelier terror-thons.
Pub Date: Nov. 4, 1983
ISBN: 0743412281
Page Count: 420
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: Nov. 1, 1983
BOOK TO SCREEN
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