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REFUGE

An earnest and positive novel that explores heavy topics.

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In VanPatten’s novel, a recently widowed gay father tries to help a niece whom he suspects is being abused.

After being disowned in Texas as a “sinner” by his parents, Jesse Pérez eventually finds happiness in California with his partner, David, and Matthew, their son with autism. Following David’s untimely death, Jesse and his child attempt to settle into their new reality. Another upheaval occurs with the sudden appearance of Gloria Salazar, Jesse’s teenage niece from Lubbock, who’s pregnant and reluctant to disclose details. Jesse accompanies Gloria when she gets an abortion, knowing it could be risky with Texas’ strict anti-abortion laws that even reach across state borders. Gloria wants to live with Jesse, rather than return home—but then Jesse’s brother-in-law brings her back to Texas against her will. Jesse’s reluctant to leave his routine-loving son, and he also finds himself drawn to Bobby Martínez, a widowed Californian cop he just met; however, he decides to return to the Lone Star State to help his niece. In this novel, VanPatten explores such difficult subjects as antigay bigotry, rape, grief, and religious intolerance. However, the story also has a pleasant flow, with natural, unforced dialogue. It’s very easy to tell the good people from the bad, but this isn’t necessarily a bad thing; Bobby, for instance, is shown to be a helpful police officer who brings Jesse’s son cookies and assists with homework. At another point, a protective services agent lets Gloria stay with her for a few nights, and Jesse’s former high school teacher tells him “I like to think I helped you on your own path.” Spiteful characters, including Jesse’s parents and sister, and a Texas cop who pulls a gun on Jesse, are shown as twisted by discriminatory religious doctrines, while others act from sheer ignorance. For the most part, though, this is a sweet story of how members of chosen families can soothe and heal one another. Although the romance between Jesse and Bobby lacks surprises, this fact enhances, rather than detracts, from the pleasure of reading this comforting book.

An earnest and positive novel that explores heavy topics.

Pub Date: Jan. 2, 2024

ISBN: 9798873520886

Page Count: 312

Publisher: Self

Review Posted Online: April 18, 2024

Kirkus Reviews Issue: June 1, 2024

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  • New York Times Bestseller

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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  • New York Times Bestseller

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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PECK & PECK

Mostly charming, sometimes twee, with some really lovely things to say about poetry.

And now for some lessons in poetry and typesetting.

After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.

Mostly charming, sometimes twee, with some really lovely things to say about poetry.

Pub Date: Oct. 13, 2026

ISBN: 9781668251065

Page Count: 432

Publisher: Scribner

Review Posted Online: July 6, 2026

Kirkus Reviews Issue: Aug. 1, 2026

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