by Billy Baldwin ; illustrated by Liesl Bell ‧ RELEASE DATE: April 5, 2020
A strange and special fairy tale that will resonate with many readers.
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Baldwin takes readers on a tenacious trek in this hopeful picture book.
A boy leaves home for a sail in the morning, assuring his mother that he’ll return for dinner. A wild storm swallows up the boy, who’s rescued by a mermaid. She whisks him to the Island of the Eye, where he’ll always be safe—but alone forever. Determined to have a fuller life, the boy confronts walls of water, a dragon, and the “Reef of no Return,” but in order to survive, he must truly believe that he’s “stronger than any storm.” Baldwin seems to have intentionally created a generic character—one that effectively allows readers to see themselves in the eye of the storm, which can represent a range of real-life struggles. Efficient, descriptive word choices add to the fairy-tale feel of the story. The sparse text sometimes stumbles through the artwork and other times stands alone, establishing the weather’s rocky rhythm. The illustrations establish an emotional, heavy tone and simultaneously show and tell the tale; indeed, some events take place solely in Bell’s stark, black-and-white line drawings. In a time of pandemic, this survival story provides welcome sunlight in a surging storm.
A strange and special fairy tale that will resonate with many readers.Pub Date: April 5, 2020
ISBN: 978-0-9791882-4-4
Page Count: 49
Publisher: Decozen Books
Review Posted Online: Feb. 17, 2021
Review Program: Kirkus Indie
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BOOK REVIEW
by Billy Baldwin ; illustrated by Liesl Bell
by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Dan Yaccarino
by Erin Guendelsberger ; illustrated by Stila Lim ‧ RELEASE DATE: Feb. 1, 2022
A sweet, if oft-told, story.
A plush toy rabbit bonds with a boy and watches him grow into adulthood.
The boy receives the blue bunny for his birthday and immediately becomes attached to it. Unbeknownst to him, the ungendered bunny is sentient; it engages in dialogue with fellow toys, giving readers insight into its thoughts. The bunny's goal is to have grand adventures when the boy grows up and no longer needs its company. The boy spends many years playing imaginatively with the bunny, holding it close during both joyous and sorrowful times and taking it along on family trips. As a young man, he marries, starts a family, and hands over the beloved toy to his toddler-aged child in a crib. The bunny's epiphany—that he does not need to wait for great adventures since all his dreams have already come true in the boy's company—is explicitly stated in the lengthy text, which is in many ways similar to The Velveteen Rabbit (1922). The illustrations, which look hand-painted but were digitally created, are moderately sentimental with an impressionistic dreaminess (one illustration even includes a bunny-shaped cloud in the sky) and a warm glow throughout. The depiction of a teenage male openly displaying his emotions—hugging his beloved childhood toy for example—is refreshing. All human characters present as White expect for one of the boy’s friends who is Black.
A sweet, if oft-told, story. (Picture book. 4-8)Pub Date: Feb. 1, 2022
ISBN: 978-1-72825-448-7
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
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by Erin Guendelsberger ; illustrated by Jennifer Zivoin
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by Erin Guendelsberger ; illustrated by Annelouise Mahoney
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