Set in New York, like its frivolous predecessor On Mermaid Avenue (1993), Kirshenbaum's second novel takes a semiserious look at adultery. ``I have broken seven of the Ten Commandments,'' the nameless heroine tells us, adding, ``Guilt does not prey on me. My sleep is that of the innocent.'' Guilt isn't the only thing her account lacks; the reader waits in vain for any sort of subtext to enrich the events being retold. The narrator for the most part simply relates how she balances her sex life and keeps a husband and two lovers simultaneously enraptured. The acts themselves are neither erotic nor graphic, alternating between leaky bed play and out-of- body float. Lover number one, called the Hit Man, is a handsome Sicilian-American professor of history who publishes books about Alexander Hamilton and James Madison, lives in Little Italy, cooks, and snaps his paramour into firecracker orgasms; although he knows she's married, he wants her to be all his. Number two, ``the love of my life,'' is a multimedia artist: nothing to look at, with Nazi numbers tattooed on his forearm, and a drag in bed—quite monochromatic. Left-handed, half-Jewish (she denies her paternal Methodist heritage) and apparently jobless by choice, the protagonist can't cook, sew, or clean house. What she can do is help her mainly offstage husband with the Sunday Times crossword puzzle and serve her lovers a creamy dish of vagina Alfredo. She's an expert as well on oral love and erections, and when the artist fails to rise, she tells him, `` `It's never happened with my other men friends.' I don't want him getting any ideas that I could have anything to do with this, that I am the emasculating queen, the wicked witch of Limpland waving my craggy wand over once rigid cocks, turning them to jelly.'' Juicy sexual history, but mysteriously un-nourishing.
Pub Date: April 18, 1994
ISBN: 0-88064-157-6
Page Count: 208
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1994
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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