A lovely gift—aglow with warmth and welcome—for those who feel, or have ever felt, different.
A delightful tale about a boy who is different and his discovery of a kindred spirit, gracefully written to celebrate dreamers and readers—and those who need not change to find friends.
Oliver lives happily in his imagination; puppets and toys are his constant companions. Together, they brave deserts by cardboard box, cross treacherous couch bridges and dig to distant lands. Then, one day Oliver begins to feel different. A lost ball takes him through a new gate, where, against a pink sky, he meets Olivia. “It was the beginning of the best adventure he’d ever had.” It doesn’t matter that Oliver is different, because “Olivia [is] a bit different too.” Like artists such as Lane Smith or Tim Burton, Sif has a distinctive style, a particular way of expressing the world that feels like a natural expression of herself. Her pencil drawings are done in a muted, cool-color palette. With Oliver’s journey, she takes readers from an urban environment filled with pencil marks and gray images to a sparser, outdoor environment in which her marks are looser and the colors quietly bloom.
A lovely gift—aglow with warmth and welcome—for those who feel, or have ever felt, different. (Picture book. 4-8)Pub Date: Oct. 9, 2012
ISBN: 978-0-7636-6247-9
Page Count: 40
Publisher: Candlewick
Review Posted Online: Aug. 21, 2012
Kirkus Reviews Issue: Sept. 15, 2012
PROFILES
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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