Worthy of Studs Terkel and an essential addition to the books of the Dead.
Coming on its 50th anniversary and just after the band’s farewell tour, an engaging, near-comprehensive oral history of the Grateful Dead.
If “the Grateful Dead” and “disco” are not phrases that go together, it’s not for want of their trying. As Jackson (Grateful Dead Gear—The Band's Instruments, Sound Systems, and Recording Sessions, from 1965 to 1995, 2006, etc.) and musician Gans (Conversations with the Dead: The Grateful Dead Interview Book, 1991, etc.)—collectors and archivists who know as much as nearly anyone alive about the storied band—chronicle, midway into the 1970s, with albums such as “From the Mars Hotel” and “Wake of the Flood" under their belts, the Dead were enough under the sway of Saturday Night Fever to attempt a disco-ish take on “Dancing in the Street.” Chalk it up to Mickey Hart, one of the many thorns in this thorny narrative hide, whose return to the band wrought big changes. “We had to tell him [what to play],” said guitarist Bob Weir in 1977, “which means we had to be thinking about it, which means while we were thinking about it, we might as well rethink things in general.” As fans already know but will further note, the superficially peace-and-love demeanor of the Dead disguised all sorts of tensions, from personality clashes to money worries and differences over musical direction. But it all worked, despite Jerry Garcia’s drug use and increasingly erratic behavior. Says sound tech Bob Bralove, “The energy around [the last tour with Garcia] was kind of confusing, because there was this really positive energy coming from the band, but it was missing a key ingredient.” For all that, there’s plenty of peace and love here and lots of smoke and psychedelia, as well as the usual Altamont regrets, all voiced by people in and close to the band.
Worthy of Studs Terkel and an essential addition to the books of the Dead.Pub Date: Nov. 10, 2015
ISBN: 978-1-250-05856-0
Page Count: 528
Publisher: Flatiron Books
Review Posted Online: Aug. 14, 2015
Kirkus Reviews Issue: Sept. 1, 2015
BOOK REVIEW
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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