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THE GREAT AWAKENING

This character-driven SF fable weaves clever intrigue with provocative questions about the price of peace.

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In Anderson’s SF novel, a shared dream transforms humanity overnight into a united and enlightened force—aside from the few who have been excluded and demand answers.

Raymond Brunson, alongside almost everyone else in the world, wakes up one day feeling…different. People’s senses are heightened, and a general sense of calm and love settles over everyone, spurring the media to call the event the “Great Awakening.” Raymond’s friend Tyson Burgess is one of the few who do not experience this shared nightly dream that has transformed the world. He, alongside other “Unawakened,” are forced to undergo brutal “purification” tactics in the Discovery Center if they are to have any hope of rejoining society. Desperate to escape and uncover the truth behind this mysterious new peace, Tyson and a few fellow members of the Unawakened begin a frantic search into the phenomenon’s origin, finding a surprising ally in Raymond. As they get closer to answers to some questions, including ones about the commonality that all of the Unawakened seem to share, the group finally uncovers the shocking truth and must decide whether humanity is better off as it is now or if the Unawakened will try once and for all to wake the dreamers up. Despite some occasional long-winded explanations of the Great Awakening’s beginnings, the narrative moves along at a satisfying clip and features refreshingly realistic dialogue. The population’s new sense of tranquility sounds appealing, even as an undercurrent of dread (reminiscent of 1978’s Invasion of the Body Snatchers) runs through it all: “You don’t have to fight this off or pretend it doesn’t hurt. It hurts because it matters. That doesn’t mean you’re broken.” That is part of what makes the novel so intriguing, in fact: Blake never tips the scales too heavily one way or the other, so it’s ultimately up to readers to decide, resulting in a thought-provoking story that will challenge them in compelling and entertaining ways.

This character-driven SF fable weaves clever intrigue with provocative questions about the price of peace.

Pub Date: June 9, 2026

ISBN: 9798901743034

Page Count: 210

Publisher: Atmosphere Press

Review Posted Online: June 17, 2026

Kirkus Reviews Issue: Aug. 1, 2026

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE MARTIAN

Sharp, funny and thrilling, with just the right amount of geekery.

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When a freak dust storm brings a manned mission to Mars to an unexpected close, an astronaut who is left behind fights to stay alive. This is the first novel from software engineer Weir.

One minute, astronaut Mark Watney was with his crew, struggling to make it out of a deadly Martian dust storm and back to the ship, currently in orbit over Mars. The next minute, he was gone, blown away, with an antenna sticking out of his side. The crew knew he'd lost pressure in his suit, and they'd seen his biosigns go flat. In grave danger themselves, they made an agonizing but logical decision: Figuring Mark was dead, they took off and headed back to Earth. As it happens, though, due to a bizarre chain of events, Mark is very much alive. He wakes up some time later to find himself stranded on Mars with a limited supply of food and no way to communicate with Earth or his fellow astronauts. Luckily, Mark is a botanist as well as an astronaut. So, armed with a few potatoes, he becomes Mars' first ever farmer. From there, Mark must overcome a series of increasingly tricky mental, physical and technical challenges just to stay alive, until finally, he realizes there is just a glimmer of hope that he may actually be rescued. Weir displays a virtuosic ability to write about highly technical situations without leaving readers far behind. The result is a story that is as plausible as it is compelling. The author imbues Mark with a sharp sense of humor, which cuts the tension, sometimes a little too much—some readers may be laughing when they should be on the edges of their seats. As for Mark’s verbal style, the modern dialogue at times undermines the futuristic setting. In fact, people in the book seem not only to talk the way we do now, they also use the same technology (cellphones, computers with keyboards). This makes the story feel like it's set in an alternate present, where the only difference is that humans are sending manned flights to Mars. Still, the author’s ingenuity in finding new scrapes to put Mark in, not to mention the ingenuity in finding ways out of said scrapes, is impressive.  

Sharp, funny and thrilling, with just the right amount of geekery.

Pub Date: Feb. 11, 2014

ISBN: 978-0-8041-3902-1

Page Count: 368

Publisher: Crown

Review Posted Online: Dec. 7, 2013

Kirkus Reviews Issue: Dec. 15, 2013

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