A lighthearted romp, tinged with melancholy, that gently pokes fun at sexual mores and those who defy them.
What happens when a celebrated feminist carries on a highly charged affair with her only daughter’s closest friend?
Despite very different temperaments, Alice and Sadie have been inseparable since adolescence. They remain so in their early 20s, though easygoing Alice is halfheartedly pursuing an acting career in Los Angeles while hardworking Sadie remains in the Bay Area doggedly working her way up in a design firm. Celine is Sadie’s mother, a professor of lesbian-feminist theory at Berkeley who works hard to remain unconventional. When Alice gets a part in a play and Sadie can’t attend, she asks Celine to go in her place. A comic romantic nightmare ensues. Forty-four-year-old Celine is gobsmacked by her sudden attraction to Alice, whom she’s never before found particularly interesting, and Alice, who has enjoyed sex with a lot of men, surprises herself by responding to Celine’s attraction in kind. Caught up in their mutual desires and unable to acknowledge that Sadie may see their behavior as betrayal, the lovers tacitly agree not to mention their affair to her, even as weeks pass by. Meanwhile, Sadie is involved in her own sexual crisis: still being a virgin at age 23. Thanks to her unorthodox childhood with Celine, she's developed inhibitions she's trying to overcome, so far unsuccessfully, with her conveniently adoring, nerdy boyfriend—who, like Alice’s and Sadie’s fathers, remains so palely sketched he barely registers. The novel flits among the three women without going deep. Readers learn about Alice’s emotionally chilly mother and sympathize with Sadie’s trials as Celine’s daughter. Ultimately, though, the novel belongs to Celine, a larger-than-life personality full of contradictions. Her boundless love can be smothering, her ideas smart but half-baked, her boundary-breaking playful and cruel. She’s a would-be feminist goddess, monstrous yet hard to dislike.
A lighthearted romp, tinged with melancholy, that gently pokes fun at sexual mores and those who defy them.Pub Date: Nov. 28, 2023
ISBN: 9781668021590
Page Count: 272
Publisher: Simon & Schuster
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
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