Laced with grue and a trace of black humor, the latest by Australian d'Alpuget (Winter in Jerusalem, 1986, etc.) is set in the Australian outback and rings with alarm bells about the plight of primates (human and otherwise) and creatures in general on our rapidly deteriorating planet. On the grounds of the Exotic Feral Species and Microbiology Research Center, Diana Pembridge, avian specialist and quiet animal-rights activist, faces a dilemma: Should she immediately report her discovery of the tortured corpse of former friend Carolyn Williams to the police? Or should she first rush the huge wounded eagle—who's also shown an interest in Williams's remains- -to the vet? The vet (one of the many who will soon perish) wins. The particularly nasty murder of Williams is of special interest to the employees of the Center: Sonja, director of personnel, sister of a beleaguered politician and wife of the science chief, the elegant John Parker; Joe Miller, director of security and devoted father of a Sydney policewoman; and little Thai assistant Lek, sequestered with the lab chimps. Parker is in Bangkok at the time of the murder, reporting to the underworld heavy who supplies the illegal chimps and whose chauffeur will have a busy assassination schedule. Parker is working with a Curie-like dedication on his very own project, the fatal disease ``White Eye.'' He dreams thrilling dreams of mass wipeouts. While Pembridge, at home, tames and trains the mighty eagle (a process given in riveting detail) and sleuths, there's a shower of murders. The bad guys are exterminated, and love finds Pembridge. But later—What means this report of White Eye in faraway Canada? With eye-opening events and a collision of people, d'Alpuget achieves a hortatory effect with the calm of ashes settling after a conflagration.
Pub Date: Aug. 1, 1994
ISBN: 0-671-62005-3
Page Count: 256
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1994
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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