An earnest but uneven guide to an oft-overlooked period of Croatian history.
A young Croatian girl dreams of America in this debut historical novel.
In this book, Raguz tells the story of Marta Tomic, a girl growing up in the Croatian city of Vukovar during the reign of Yugoslavian dictator Josip Tito in the 1970s. Her father loses his job due to his involvement in the Croatian Spring political movement years earlier, and her family is under constant scrutiny because of their Roman Catholic faith and refusal to join the Communist Party. But Marta finds solace in watching American movies and acting in school plays. When she’s chosen to participate in a student exchange program in New York City, she’s overjoyed. She’s even more excited when she meets her host family and finds that the parents have a handsome son, Ian. But even in America, life is not all sunshine and rainbows. The daughter in her host family becomes jealous of Marta’s acting talent, and the father is stern and sometimes downright abusive to his children. And more conflicts await Marta when she returns to Croatia, as a change in regimes threatens to spark a war between the Communists and the nationalists. Throughout the many changes in her country and her own life, she keeps up her love for and connection to the U.S.—and to one American man in particular—while struggling to cultivate her talent for the theater. The narrative moves along at a quick pace despite the book’s length. Marta makes a sympathetic protagonist, and when she and her loved ones are in danger, it’s easy to care about what happens to them. One weakness of the story, though, is that it spends too much time on exposition laying out the political climate of Croatia and how Marta’s family feels about it and not enough time building scenes that show the characters’ internal conflicts. The dialogue also tends to feature many sentences beginning with “as you know” and such on-the-nose statements as “What’s going to happen to me?” uttered by characters in immediate, mortal danger.
An earnest but uneven guide to an oft-overlooked period of Croatian history.Pub Date: Dec. 20, 2016
ISBN: N/A
Page Count: 414
Publisher: AuthorHouse
Review Posted Online: July 5, 2017
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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