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THE DISTANT LAND OF MY FATHER

Name: THE DISTANT LAND OF MY FATHER
Author: Bo Caldwell
ISBN: 0-8118-3240-6

A NOVEL OF SHANGHAI

by Bo Caldwell ‧ RELEASE DATE: Oct. 1, 2001

An elegant, refined story of families, wartime, and the mystique of memory.

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A daughter tries to understand her father’s long absences from her life in this effective and accomplished debut.

Cleaning out her father’s scruffy bachelor apartment after his funeral, Anna Schoene discovers his copiously detailed journals. They transport this 30-year-old mother of two from Southern California back to her childhood in Shanghai, where she lived with her mother and father just before WWII. Born in China, the son of missionaries, Joseph Schoene is at once flamboyantly American yet fiercely committed to the land of his birth. The charismatic, dashing chief of a quasi-legal import/export business in Shanghai, he means the world to his more proper American wife and adoring daughter. Enraptured with the city’s sights and smells, he imparts this love to Anna: “My father handed Shanghai down to me as though it were an inheritance, a family treasure meant only for me.” But encroaching Japanese soldiers and floods of refugees make the city less and less tenable until, on the eve of war, Anna and her mother board a ship for America. Joseph resolutely stays behind, insisting that it will all blow over. But soon occupying Japanese troops throw him into a prison camp, where he barely survives. Meanwhile, in California, Anna and her mother are adjusting to a quieter life of school, laundry, and sunshine. Caldwell’s prose is remarkably even and detailed; she seamlessly weaves together Anna’s own memories with those of her father, gleaned from the journals. Many of the Shanghai scenes are undeniably reminiscent of J.G. Ballard’s Empire of the Sun, but the voice is Caldwell’s own. Anna’s emotionally reticent narration can seem almost stuffy, but it helps keep this from descending into the mawkishness common in such father-daughter tales. And the vivid evocation of Shanghai’s potent sights, sounds, and smells has all the excitement you could want.

An elegant, refined story of families, wartime, and the mystique of memory.

Pub Date: Oct. 1, 2001

ISBN: 0-8118-3240-6

Page Count: 384

Publisher: Chronicle Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2001

Categories:

GENERAL FICTION

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BETWEEN SISTERS

by Kristin Hannah ‧ RELEASE DATE: May 1, 2003

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

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Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

Categories:

GENERAL FICTION

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THE ALCHEMIST

by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

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Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.

The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.