Boilen’s warm, engaging voice pervades this treat for music aficionados.




Interviews with nearly three dozen musicians about the life-altering songs that inspired their musical careers.

Since 2000, Boilen, creator and host of NPR’s All Songs Considered, has featured new and established singers of all genres on his popular online music show and podcasts. In these winning profiles, he teases out the single moment when each artist heard a song he or she will never forget. (His own life “changed forever,” he writes, when he first heard the Beatles’ “A Day in the Life.”) The song for these artists varies greatly: Motown star Smokey Robinson cites Jackie Wilson’s “Lonely Teardrops,” Irish-born Hozier recalls falling in love with Tom Waits’ “Cold Cold Ground,” and composer Philip Glass remembers his discovery at age 11 of Spike Jones’ amusing version of Rossini’s “William Tell Overture,” played on pots and pans. In his fascinating explorations of these artists’ lives and work, Boilen finds pivotal moments happen most often at early ages, especially the teens and 20s. But then Justin Vernon of indie folk band Bon Iver encountered The Staves’ “No Me, No You, No More,” and “felt like I was lifting off the ground,” only recently, at age 33. Colin Meloy of the Decemberists remembers buying Hüsker Dü’s “beautiful, aching, gorgeous acoustic song” “Hardly Gotten Over It” and playing it on a boom box. Trey Anastasio of Phish first heard “Something’s Coming,” from Leonard Bernstein’s West Side Story, among his mother’s Broadway original cast albums. Jazz violinist Regina Carter, on the other hand, rejected her own mother’s advice to join a symphony orchestra and went on to become a solo performer after hearing “Lovin’ is Really My Game” by Brainstorm, a funk band. Other contributors include Cat Stevens, Jackson Browne, Chris Thile, Jeff Tweedy, Carrie Brownstein, David Byrne, Jenny Lewis, and Jimmy Page.

Boilen’s warm, engaging voice pervades this treat for music aficionados.

Pub Date: April 12, 2016

ISBN: 978-0-06-234444-1

Page Count: 288

Publisher: Morrow/HarperCollins

Review Posted Online: March 2, 2016

Kirkus Reviews Issue: March 15, 2016

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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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Necessarily swift and adumbrative as well as inclusive, focused, and graceful.


A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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