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NO VACANCY

A gritty action tale with a central character who’s less compelling than those in his orbit.

A young man becomes a contractor for the CIA in this action-adventure tale.

As a 13-year-old in the 1960s, Eli Rose watches I Love Lucy, wanders the Miami streets and hangs out at the Gayety Burlesque. There he meets the polished, moneyed Vicente Amarón—the man has ties to organized crime, but Eli still wants to be like “Mr. Slick.” After Eli’s father dies, he learns that he is now accountable for a business loan from the mob and payback will come through his participation in a reckless mission, financed by anti-Castro mobster Morgenthal. Vicente becomes Eli’s mentor, teaching him, among other things, how to read people. After graduating college, Eli accepts employment at an import-export firm, and his connections are exploited by those whose faith in La Lucha—the struggle to free Cuba of communism—never falters. Soon Eli meets Robert “The Redhead” Jasper, a loose cannon who brandishes a .45 and bonds with Eli through a blood ritual. On orders from Morgenthal, Eli, Jasper and Vicente depart for Cuba and nonstop action ensues until the book’s final page. Some nice turns-of-phrase establish the setting—“The air was thick with the smell of jasmine and rotting trees, and it clung to Eli like clear syrup.” Eli is appealing, particularly in his relationship with father-figure Vicente, but as complex characters, Vicente and Jasper outweigh Eli. The young man’s allegiances may be misplaced, and at times he responds as if he is numb, in spite of the carnage around him. His driving force is “kill or be killed”—not the most original credo in the world, but understandable when body parts are flying. Pacing is brisk, but not breakneck, with tension building to an eventual face-off between Eli and Jasper—just how crazy is Jasper, and how far will he go? Although Eli confronts danger in various venues, readers never doubt that he’ll survive for at least two more books in the series, removing some dramatic tension. In future installments, Eli needs to evolve more, and command center stage.

A gritty action tale with a central character who’s less compelling than those in his orbit.

Pub Date: Sept. 8, 2010

ISBN: 978-0966974942

Page Count: 327

Publisher: Robert N. Erlich

Review Posted Online: June 27, 2011

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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