A celebration of small miracles and the hope that makes them happen.
Assembling a large jigsaw puzzle that arrives from parts unknown gives the Kelly family months of pleasure—and a final challenge.
“ONE PIECE IS MISSING!” A fruitless search of the house and some hard thinking by Mom lead to the conclusion that it must have gone out in the trash—which sharp-eyed readers will already know, having followed the tiny but brightly colored bit in previous scenes from floor to vacuum to trash can and out to the sidewalk for pickup. So the Kellys head for the recycling center and sort through a towering mountain of love letters, tickets, cards, and old newspapers. “Shouldn’t take long,” says young Katie with impressive optimism. “It’s waiting around and will find us again,” agrees Dad. And, against all odds, the piece does find them, making its way home after the family’s long, discouraging search on the sole of Dad’s boot. Now how will Katie and little sister Kitty send a thank-you note to the puzzle’s anonymous sender? Sandwiched between before-and-after endpaper views of a puzzle scene of anthropomorphic African animals joyfully leaping into a pond, Graham offers an episode as rich and intimate in feeling as it is spare both in words and visual style. Human figures in the informally drawn, often wordless scenes are light-skinned throughout. (This book was reviewed digitally.)
A celebration of small miracles and the hope that makes them happen. (Picture book. 6-8)Pub Date: July 5, 2022
ISBN: 978-1-5362-2499-3
Page Count: 40
Publisher: Candlewick
Review Posted Online: April 12, 2022
Kirkus Reviews Issue: May 1, 2022
PERSPECTIVES
Bland pictures and superficial presentation sink this problem-solver. Feeling slighted by new neighbor Jeremy, the aggrieved young narrator accepts his father’s offer to make an “enemy pie.” Dad insists on doing the baking, but tells the lad that the recipe also requires spending a day playing with the enemy—after which, predictably, the two lads sit down as newly minted friends for pie à la mode. Though the narrator speculates about the pie’s ingredients, the promisingly gross worm-and-weed dishes on the cover never materialize in the illustrations inside, nor are any of Jeremy’s supposed offenses depicted. Instead, King shows the boys in a series of conventional, static scenes, throwing water balloons at girls and other fun activities. Meanwhile, Dad’s fixed, knowing smile invites viewers to share the conceit—even though his naïve son never does catch on. And is Jeremy really so hostile? He displays so little individual character that it’s hard to get a read on him; he just seems to be going with the flow. Invite readers to order up a bowl of Betsy Everitt’s Mean Soup (1992) instead, or a slice of Margie Palatini’s Piggie Pie (1995). (Picture book. 6-8)
Pub Date: Nov. 1, 2000
ISBN: 0-8118-2778-X
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2000
BOOK REVIEW
An important reminder that, in the quest for friendship, who you truly are is more than enough.
Ivan, a young Black boy with a big, beautiful Afro, is such a skilled street skater that his friends have nicknamed him Epic.
When he and his family move to a new inner-city neighborhood, for the first time he finds himself without a clique to cheer him on or learn new skating stunts from. “You never landed a new trick on the first try,” his dad reminds him. “Keep an open mind, and you’ll meet new friends.” In an attempt to fit in with the neighborhood kids, Epic tries his hand at various other sports without success. Seeing his discouragement, his parents suggest that he skate down to the bodega for a treat. On his way there, Epic performs a scintillating series of skateboarding maneuvers, unaware that several kids of various ages are observing him with great interest. Only when he arrives at the bodega does he realize that he’s unwittingly found himself a new skating crew. Morrison’s upbeat narrative slides along smoothly, mirroring the energy and panache of its protagonist, and at times slips comfortably into African American Vernacular English. Skateboarding terminology is scattered liberally throughout the text, but readers unfamiliar with the jargon will feel the lack of a glossary. Morrison's illustrations—rendered in oil with their trademark graffiti-inspired, urban mannerist style—use interesting perspectives, silhouetting, and continuous narration to create a free-wheeling sense of Epic’s, well, epicness. Most characters are Black; a few illustrations include diverse representation.
An important reminder that, in the quest for friendship, who you truly are is more than enough. (Picture book. 6-8)Pub Date: April 19, 2022
ISBN: 978-1-5476-0592-7
Page Count: 40
Publisher: Bloomsbury
Review Posted Online: Dec. 15, 2021
Kirkus Reviews Issue: Jan. 1, 2022
BOOK REVIEW
BOOK REVIEW
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