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THE RACE

Judd's champion race-car driver (Formula One, 1990—not reviewed) returns to save his pretty corporate sponsor from hostile turnover while tuning up to race in the Indianapolis 500. Talk about ingratitude. Anglo-American racer Forrest Evers pulls in from his victory lap at Monte Carlo to be handed a churlish telegram from ``Women Unlimited,'' the temporary-help agency sponsoring his team. The message requests his presence in New York so that he may be fired; he has become a victim of corporate cost-cutting. Sexy Ellie Channing, founder and boss of Women Unlimited, explains to Forrest that she has been bilked out of $12 million by her corporate backer William Fraser, a ruthless American media mogul, so there's no money for expensive racing teams, and it's all just so complicated and confused that she can't call in a moderately capable corporate lawyer to clear up the problem. The gallant Mr. Evers then proposes a solution: He will bilk the $12 million back from Fraser with the help of timber mogul Orrin Fenstermacher, who wants Evers to drive an Indianapolis racer to victory for him. Flying Fenstermacher's jet to the Cayman Islands for a meeting with Fraser, teaming up with his own slick lawyers and accountants, Evers pulls off a sting and gets the money back—but gains the undying enmity of Fraser, his excessively creepy associates, and, perhaps, Fraser's voluptuous young daughter. Back in Indiana for the big race, Evers begins to run into dramatic sabotage efforts from the angry Fraser forces. But Fraser himself appears to have been supplanted by his lieutenants—who have ties to wacko religious fundamentalism and, believe it or not, the Iranian mullahs. Awfully busy day at the races as two story-lines keep crowding each other off the track. Still, smooth writing is almost enough to pull it off.

Pub Date: May 15, 1991

ISBN: 0-688-10463-0

Page Count: 240

Publisher: Morrow/HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: March 15, 1991

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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