FEATHER CROWNS

Christie and James Wheeler, tobacco farmers in turn-of-the- century Hopewell, Kentucky, and already parents of three, become the most illustrious people of their time and place when Christie gives birth to quintuplets. Her pregnancy was marked by a misdiagnosis of fibroids—and after the birth Christie wonders whether her so liking sex with her husband (as well as being once erotically charged by a preacher's millennial verve) could have contributed to so freakish an issue. But whatever their cause, the five babies demand heroic attention: Christie's milk is nowhere near adequate; a black nursemaid is called in. Also arriving are the curious—from as far away as St. Louis and Chicago. But in a matter of months the babies all die—``wooled to death,'' Christie thinks, from being overhandled by strangers; killed by Negro milk, James prefers to think. In any case, life after the babies grows hard economically as well as sentimentally; when a crop goes bad, Christie and James allow themselves to be suckered into going on a lecture tour (with the five tiny embalmed bodies in a glass case) that degenerates into a carny sideshow and worse. Shaking off their nightmare, the Wheelers finally allow a scientific institute to keep the babies' bodies for research; and the book ends with Christie in old age paying a visit to the Dionne quints. Mason (Love Life, etc.) has a wonderful story here and knows it, but has chosen to tell it so slowly, at such deliberate pace, that only the babies' deaths (and Christie's frantic impotence to stop the dying)—plus some of the freak-show hucksterism on the post-death tour—come over as vivid enough to be indelible. Mason's usually fine dialogue is muffled by historical distance, and the book simply is too long to maintain Christie's painful awe at life's oddness. The theme of exploitation rises foremost, but it's a late one the novel accedes to almost halfheartedly—sociology more cut and dried than the fearful psychology of Christie's grief. (First printing of 60,000)

Pub Date: Sept. 29, 1993

ISBN: 0-06-016780-7

Page Count: 400

Publisher: HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1993

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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A steamy, glitzy, and tender tale of college intrigue.

THE CHASE

From the Briar U series

In this opener to Kennedy’s (Hot & Bothered, 2017, etc.) Briar U romance series, two likable students keep getting their signals crossed.

Twenty-one-year-old Summer Heyward-Di Laurentis is expelled from Brown University in the middle of her junior year because she was responsible for a fire at the Kappa Beta Nu sorority house. Fortunately, her father has connections, so she’s now enrolled in Briar University, a prestigious institution about an hour outside Boston. But as she’s about to move into Briar’s Kappa Beta Nu house, she’s asked to leave by the sisters, who don’t want her besmirching their reputation. Her older brother Dean, who’s a former Briar hockey star, comes to her rescue; his buddies, who are still on the hockey team, need a fourth roommate for their townhouse. Three good-looking hockey jocks and a very rich, gorgeous fashion major under the same roof—what could go wrong? Summer becomes quickly infatuated with one of her housemates: Dean’s best friend Colin “Fitzy” Fitzgerald. There’s a definite spark between them, and they exchange smoldering looks, but the tattooed Fitzy, who’s also a video game reviewer and designer, is an introvert who prefers no “drama” in his life. Summer, however, is a charming extrovert, although she has an inferiority complex about her flagging scholastic acumen. As the story goes on, the pair seem to misinterpret each other’s every move. Meanwhile, another roommate and potential suitor, Hunter Davenport, is waiting in the wings. Kennedy’s novel is full of sex, alcohol, and college-level profanity, but it never becomes formulaic. The author adroitly employs snappy dialogue, steady pacing, and humor, as in a scene at a runway fashion show featuring Briar jocks parading in Summer-designed swimwear. The book also manages to touch on some serious subjects, including learning disabilities and abusive behavior by faculty members. Summer and Fitzy’s repeated stumbles propel the plot through engaging twists and turns; the characters trade off narrating the story, which gives each of them a chance to reveal some substance.

A steamy, glitzy, and tender tale of college intrigue.    

Pub Date: Aug. 6, 2018

ISBN: 978-1-72482-199-7

Page Count: 372

Publisher: CreateSpace

Review Posted Online: Jan. 28, 2019

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