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SHAPE WORK

From the Montessori series

As in the Georges’ earlier offerings, Number Work and Letter Work (both 2012), this outing is appropriate for youngsters who...

Montessori experts offer a handsome, in-depth exploration of shapes.

As the parent note on the verso of the cover states, the shapes are presented from the concrete to the abstract. Three varieties of triangles, all with a tactile feature created by cutting away the top layer of the board page, are presented, allowing readers to feel and understand the geometric concept. On the following pages, these triangles are more specifically named (isosceles, equilateral and right-angled) and shown in their real-world contexts as an evergreen tree, the roof of a house and a sail on a boat, respectively. Rounds (circle, ellipse and oval) come next, followed by parallelograms and polygons presented in the same format. Nassner’s crystal-clear graphics in natural colors against faux wood grain, give the book much-needed warmth. This is an advanced take on shapes, with mathematically accurate vocabulary (“rhombus” is used rather than the more colloquial “diamond,” for example), and shapes are flipped and turned when presented as real-world objects (the egg-shaped “oval” is shown narrow end up in its abstract form and with narrow side down as a balloon). There are some clever and surprising things used to illustrate where shapes can be found, such as the black pentagons found on the typical soccer ball.

As in the Georges’ earlier offerings, Number Work and Letter Work (both 2012), this outing is appropriate for youngsters who have moved beyond the basics. (Board book. 3-6)

Pub Date: Aug. 6, 2013

ISBN: 978-1-4197-0935-7

Page Count: 18

Publisher: Abrams Appleseed

Review Posted Online: Aug. 20, 2013

Kirkus Reviews Issue: Jan. 1, 2014

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THE CRAYONS GO BACK TO SCHOOL

Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings.

The Crayons head back to class in this latest series entry.

Daywalt’s expository text lays out the basics as various Crayons wave goodbye to the beach, choose a first-day outfit, greet old friends, and make new ones. As in previous outings, the perennially droll illustrations and hand-lettered Crayon-speak drive the humor. The ever wrapperless Peach, opining, “What am I going to wear?” surveys three options: top hat and tails, a chef’s toque and apron, and a Santa suit. New friends Chunky Toddler Crayon (who’s missing a bite-sized bit of their blue point) and Husky Toddler Crayon speculate excitedly on their common last name: “I wonder if we’re related!” White Crayon, all but disappearing against the page’s copious white space, sits cross-legged reading a copy of H.G. Wells’ The Invisible Man. And Yellow and Orange, notable for their previous existential argument about the color of the sun, find agreement in science class: Jupiter, clearly, is yellow AND orange. Everybody’s excited about art class—“Even if they make a mess. Actually…ESPECIALLY if they make a mess!” Here, a spread of crayoned doodles of butterflies, hearts, and stars is followed by one with fulsome scribbles. Fans of previous outings will spot cameos from Glow in the Dark and yellow-caped Esteban (the Crayon formerly known as Pea Green). (This book was reviewed digitally.)

Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings. (Picture book. 4-6)

Pub Date: May 16, 2023

ISBN: 9780593621110

Page Count: 32

Publisher: Philomel

Review Posted Online: Feb. 24, 2023

Kirkus Reviews Issue: March 15, 2023

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HAPPY EASTER FROM THE CRAYONS

Let these crayons go back into their box.

The Crayons return to celebrate Easter.

Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)

Let these crayons go back into their box. (Picture book. 3-5)

Pub Date: Feb. 7, 2023

ISBN: 978-0-593-62105-9

Page Count: 32

Publisher: Philomel

Review Posted Online: Oct. 11, 2022

Kirkus Reviews Issue: Nov. 1, 2022

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