At its core, this is that rare thing: a political novel that remembers to be a human one.
A sprawling, tender debut about queer refugees finding each other across continents.
A mother’s anguished cry—“Who is this djinn in my house?”—is the starting point for a familiar queer odyssey: the tumultuous journey of exile and salvation. The djinn in this case is Delbar, an Afghan American student in Washington, D.C., moonlighting at a drag bar in a riveting opening chapter. Meanwhile, on another continent, Mansur supports his mother and sister while navigating the dangers of being a queer Afghan refugee in Iran. Outed to their families, both men flee their homes. Sayed’s debut traces their parallel journeys, in alternating chapters, to Istanbul, a way station where displaced lives converge. Through an organization supporting queer migrants, Delbar and Mansur join a rambunctious community of LGBTQ+ refugees, including Anahita, an Iranian trans woman whose fierce and brittle wit makes her one of the book’s most memorable characters. They smoke, bicker, nurse each other’s wounds, and insist on joy in the face of daily threats. When a Pride march is violently suppressed by police, its consequences ripple through the makeshift family. While Delbar moves through the world as a romantic, imagining himself “[James] Baldwin in his bohemian Turkish years,” Mansur is more clear-eyed, shaped by a sense of responsibility for those he left behind. When he reflects that “a hundred empires have come and tried to fix Afghanistan.…No one will fix it but us,” you feel the accumulated weight of his experience. Sayed weaves together geopolitics, queer history, Persian poetry, and the textures of daily life in exile, but those expecting Delbar and Mansur to ride off into the sunset together will be disappointed. The novel is too wise for such easy comforts. Their connection is real but provisional, like everything else in exile.
At its core, this is that rare thing: a political novel that remembers to be a human one.Pub Date: May 26, 2026
ISBN: 9780063419469
Page Count: 288
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
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