Although the book doesn’t cover new ground, the playful language and images will interest young readers who also face...

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A TWIN IS TO HUG

A lighthearted, rhyming celebration of twins.

Expressive illustrations depict wide-eyed identical and fraternal twins in patterned clothes and with varying skin hues and types of hair. Ashburn, a mother of twins, uses bouncy rhymes to describe the relationships between these twins. Being a twin has built-in benefits: Two laps are just the right size for holding a book; there’s always a partner for games (and shenanigans!); and sometimes a gesture or look is all that’s needed to understand each other. But being a twin also has its disadvantages: Twins always have to share (especially birthdays and colds!), take turns, and wait. There’s plenty of comparing, competing, and debating, too. The author circles back, however, to the unique bond that twins possess. “A twin is to hug. Or to kiss! / Or to shove. // It’s all about balance. It’s all about love.” Preschoolers may not understand the metaphorical meaning of “balance,” but they’ll enjoy the visual of a seesaw with a mother on one side and twin boys balancing the other side together. One image, of black-haired, brown-skinned twin girls with flowers in their hair, resorts to stereotyping to indicate diversity, clothing them in grass skirts.

Although the book doesn’t cover new ground, the playful language and images will interest young readers who also face sibling ups and downs. (Picture book. 3-6)

Pub Date: April 9, 2019

ISBN: 978-1-4197-3158-7

Page Count: 32

Publisher: Abrams

Review Posted Online: Dec. 22, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles.

THE DINKY DONKEY

Even more alliterative hanky-panky from the creators of The Wonky Donkey (2010).

Operating on the principle (valid, here) that anything worth doing is worth overdoing, Smith and Cowley give their wildly popular Wonky Donkey a daughter—who, being “cute and small,” was a “dinky donkey”; having “beautiful long eyelashes” she was in consequence a “blinky dinky donkey”; and so on…and on…and on until the cumulative chorus sails past silly and ludicrous to irresistibly hysterical: “She was a stinky funky plinky-plonky winky-tinky,” etc. The repeating “Hee Haw!” chorus hardly suggests what any audience’s escalating response will be. In the illustrations the daughter sports her parent’s big, shiny eyes and winsome grin while posing in a multicolored mohawk next to a rustic boombox (“She was a punky blinky”), painting her hooves pink, crossing her rear legs to signal a need to pee (“winky-tinky inky-pinky”), demonstrating her smelliness with the help of a histrionic hummingbird, and finally cozying up to her proud, evidently single parent (there’s no sign of another) for a closing cuddle.

Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles. (Picture book. 4-6)

Pub Date: Nov. 5, 2019

ISBN: 978-1-338-60083-4

Page Count: 24

Publisher: Scholastic

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

YOUR BABY'S FIRST WORD WILL BE DADA

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

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