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JUST A MINUTE

Becker taps into a universal experience with this sympathetic look at a child left to wait just a minute while Mom runs a quick side errand. Stranded in a department store basement, Johnny McGuffin waits. And waits. And waits. Minutes pass—or are they hours? Or days? Or years? Or eons? Johnny loses track, seeing seasons change, himself growing up and raising a family, then going old and gray. Bearing a panicky expression, his moon face looms in Davis’s crowded, canted cartoons, as confusions of calendar pages and other signs of change whirl through the background. And, adding insult to injury, Mom reappears at last, makes a breezy apology, then waits impatiently while Johnny learns how to walk again. The illustrations inject more frenetic energy than monotony, but Becker effectively captures Johnny’s disorientation by dropping in and out of rhyme in her brief text. Johnny’s experience will have children, and their parents, nodding in recognition. (Picture book. 6-8)

Pub Date: Sept. 1, 2003

ISBN: 0-689-83374-1

Page Count: 32

Publisher: Simon & Schuster

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2003

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THE STORM

From the Lighthouse Family series , Vol. 1

At her best, Rylant’s (The Ticky-Tacky Doll, below, etc.) sweetness and sentiment fills the heart; in this outing, however, sentimentality reigns and the end result is pretty gooey. Pandora keeps a lighthouse: her destiny is to protect ships at sea. She’s lonely, but loves her work. She rescues Seabold and heals his broken leg, and he stays on to mend his shipwrecked boat. This wouldn’t be so bad but Pandora’s a cat and Seabold a dog, although they are anthropomorphized to the max. Then the duo rescue three siblings—mice!—and make a family together, although Rylant is careful to note that Pandora and Seabold each have their own room. Choosing what you love, caring for others, making a family out of love, it is all very well, but this capsizes into silliness. Formatted to look like the start of a new series. Oh, dear. (Fiction. 6-8)

Pub Date: Sept. 1, 2002

ISBN: 0-689-84880-3

Page Count: 80

Publisher: Simon & Schuster

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 1, 2002

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ENEMY PIE

Bland pictures and superficial presentation sink this problem-solver. Feeling slighted by new neighbor Jeremy, the aggrieved young narrator accepts his father’s offer to make an “enemy pie.” Dad insists on doing the baking, but tells the lad that the recipe also requires spending a day playing with the enemy—after which, predictably, the two lads sit down as newly minted friends for pie à la mode. Though the narrator speculates about the pie’s ingredients, the promisingly gross worm-and-weed dishes on the cover never materialize in the illustrations inside, nor are any of Jeremy’s supposed offenses depicted. Instead, King shows the boys in a series of conventional, static scenes, throwing water balloons at girls and other fun activities. Meanwhile, Dad’s fixed, knowing smile invites viewers to share the conceit—even though his naïve son never does catch on. And is Jeremy really so hostile? He displays so little individual character that it’s hard to get a read on him; he just seems to be going with the flow. Invite readers to order up a bowl of Betsy Everitt’s Mean Soup (1992) instead, or a slice of Margie Palatini’s Piggie Pie (1995). (Picture book. 6-8)

Pub Date: Nov. 1, 2000

ISBN: 0-8118-2778-X

Page Count: 40

Publisher: Chronicle Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2000

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