A powerful contribution to the literature of the Rwandan genocide.
Four years after the 1994 genocide in Rwanda, a long-exiled high school history teacher returns home to write a play about what happened, unaware of his father’s role in the atrocity.
In 1998, ten African writers visited Rwanda to observe and write about the aftermath of the genocide, in which members of the Hutu majority massacred hundreds of thousands of Rwandans, mostly of Tutsi ethnicity. Among the literature that came out of that experience is Diop’s (Kaveena, 2016, etc.) novel, originally published in 2000. Divided into four parts, the book alternates between fictionalized first-person accounts of the genocide and the story of Cornelius Uvimana, who fled the country years before and returns believing his only surviving family member is a beloved uncle. After arriving, however, he learns a horrifying truth: his father, a Hutu who Cornelius thought was killed for criticizing the government in the past, was secretly responsible for organizing a massacre at a technical school in Murambi, where Cornelius was born, and is actually still alive. Among the 50,000 to 60,000 murdered were Cornelius’ Tutsi mother and siblings; his father, meanwhile, has fled Rwanda. Soon Cornelius is back in Murambi, trying to come to terms with the fact that he is “the son of a monster.” Diop is equally effective at illuminating the political and the personal. Though never didactic, he manages to cover everything from the role of the French government to the decadeslong history of Hutus murdering Tutsis. Meanwhile, readers may well find the harrowing first-person stories—told by everyone from victims to Cornelius’ father—difficult to shake. Most effectively rendered is Cornelius himself, whose struggle to deal with the reality of his father’s actions is as moving as it is complex. As one character tells him: “after a genocide, the real problem is not the victims but the executioners.”
A powerful contribution to the literature of the Rwandan genocide.Pub Date: Aug. 1, 2016
ISBN: 978-0-253-02342-1
Page Count: 228
Publisher: Indiana Univ.
Review Posted Online: July 18, 2016
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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