A charming, well-illustrated fairy tale about nurturing happiness.
When a prince needs cheering up, a young baker works to bring him the perfect loaf of challah in this children’s picture book.
In a small Jewish village, a girl named Zlatah Leah makes “the best challahs in the land.” One day, a messenger from the palace arrives with a plea for help from the king and queen. Their son, Prince Isaac, used to be cheerful, but now he never smiles or laughs. Can the villagers help? Zlatah Leah hopes her challah will do the trick but encounters mishaps with her first two loaves. As she’s mixing her third batch, the girl weeps for the prince and prays for his happiness—and her challah is perfect. Tasting it, the prince smiles and laughs at last, and eventually he and Zlatah Leah wed. In her debut book, Sharp provides a pleasing, well-told variation on classic fairy-tale motifs: the unsmiling royal, three attempts at success, and a happy ending. Though Jewish children may especially like seeing their culture centered, any reader can enjoy it. Tung provides folk art–style illustrations in rich, earthy shades that feel as warmly inviting as the story itself. A challah recipe is included, although the measurements are inexact, braiding isn’t mentioned, and the spices included aren’t traditional.
A charming, well-illustrated fairy tale about nurturing happiness.Pub Date: April 29, 2019
ISBN: 978-1-946351-62-3
Page Count: 32
Publisher: Mosaica Press
Review Posted Online: Feb. 20, 2021
Kirkus Reviews Issue: April 1, 2021
Review Program: Kirkus Indie
A sumptuously illustrated Jazz Age Cinderella story.
In author-illustrator Sheckels’ picture book, a maid at a grand hotel dreams of watching her favorite band perform.
In a world of genteel, anthropomorphized animals, Flora, a ferret, works as a scullery maid in a ritzy, three-story hotel. Scouring and scrubbing in her blue dress and apron, Flora hums along to the music in her heart, hoping that one day she’ll save enough pennies to attend a concert. When her favorite band, the Jazzers, is booked to play at the hotel, Flora desperately wants to watch them perform. The hotel manager, a snobbish fox, turns her away—but then the Jazzers themselves hear her humming outside their room. They’re in need of a vocalist, so they invite her to be their guest soloist, and then to join them permanently. Sheckels tells Flora’s story in straightforward, unrhymed prose, allowing the characters to take center stage without distraction; Flora is easily identifiable as a Cinderella archetype. The lush, hand-painted illustrations are whimsical in the tradition of Beatrix Potter, Inga Moore, and Jill Barklem, capture an Edwardian opulence as well as the grittier circumstances of those whose labors maintained such opulence. The Jazzers, consisting of waistcoated racoon (double bass), skunk (drums), rabbit (piano), and possum (saxophone), evoke a time when free-spirited bohemianism aimed to challenge class barriers.
A sumptuously illustrated Jazz Age Cinderella story.Pub Date: Oct. 7, 2025
ISBN: 9781956393187
Page Count: 40
Publisher: Waxwing Books
Review Posted Online: Aug. 8, 2025
Kirkus Reviews Issue: Oct. 15, 2025
Review Program: Kirkus Indie
BOOK REVIEW
A picture book made to incite pleasure and joy.
The celebrated picture-book artist enthusiastically joins the nonsense tradition.
Carle’s nearly 50-year career has produced myriad concept books about counting, the alphabet, and colors, as well as simple, original stories, retellings of fairy tales, and picture books that push the physical boundaries of the form. This latest proves that Carle can reinvent himself as a creator in the field, as he now revels in the absurd, eschewing any pretense of teaching a concept or even engaging with story. Instead, spread after spread uses nonsensical text and sublimely ridiculous pictures to provoke laughter and head-shaking delight. In addition to the book’s title, art immediately cues the book’s silly tone: the cover displays one of Carle’s signature collages against an empty white background; it depicts a duckling emerging from a peeled-back banana peel. The title-page art presents a deer sprouting flowers rather than antlers from its head. When the book proper begins, and language joins illustration, readers are ushered into a series of situations and scenarios that upend expectations and play with conventions. “Ouch! Who’s that in my pouch?” asks a kangaroo with a little blond child instead of a joey in her pouch. Another scene shows two snakes, joined at the middle and looking for their respective tails.
A picture book made to incite pleasure and joy. (Picture book. 3-7)Pub Date: Oct. 13, 2015
ISBN: 978-0-399-17687-6
Page Count: 40
Publisher: Philomel
Review Posted Online: July 21, 2015
Kirkus Reviews Issue: Aug. 15, 2015
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