The whips-and-chains crowd will love it. For others: caveat emptor.
Images of the Marquis de Sade’s bedchamber and Andy Warhol’s Factory will undoubtedly assail readers of this defiantly outré third novel by Gooch, the biographer of Frank O’Hara (City Poet, 1993) and author of such in-your-face fiction as The Golden Age of Promiscuity (1996).
The narrator is a nameless youth from a small Pennsylvania town who finds an objective correlative for his compulsive self-abasement in a Scranton museum’s “sacred voodoo chamber” exhibit. Abused and exploited by schoolmates and others (to whom he is, simply, “Zombie”), he leaves his scandalized, sorrowful parents, and—in a rather blatant imitation of James Purdy’s famous first novel, Malcolm—moves on to New York City. Thereafter, the story becomes a series of searches for his true “master” and encounters with unconventional reality instructors and benefactors: a drug-addicted physician who insists he be addressed as “Sir Edward,” a muscle-bound TV talk-show impresario (“Control Freak”), the Son of God Himself (as worshipped by “the Jesus Men,” who hold a rally in Washington’s RFK Stadium), genuine-article “zombie masters” met during a Haitian visit, and, after Zombie’s return to Manhattan, miscellaneous denizens of the lurid “club Crypt,” where people from his past mysteriously appear. (Perhaps—though Gooch doesn’t spell this out—he’s seeing his life pass before him, just as he’s about to leave it.) The novel isn’t nearly as awful as it sounds: Gooch writes crisp, surprisingly evocative straightforward sentences, and has found a resonant, troubling metaphor for the kind of passivity and self-loathing capable of shading into the destructive recesses of sadomasochism. If you like Anne Tyler and Jan Karon, you may want to pass on Zombie 00. Still, this is, in its uniquely empathetic and perceptive way, really a rather successful exploration of a hapless life lived on the psychosexual razor’s edge.
The whips-and-chains crowd will love it. For others: caveat emptor.Pub Date: Aug. 28, 2000
ISBN: 1-58567-043-X
Page Count: 192
Publisher: Overlook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2000
With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...
Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.
Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.
With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.Pub Date: Oct. 1, 2019
ISBN: 978-1-250-31307-2
Page Count: 448
Publisher: Flatiron Books
Review Posted Online: June 30, 2019
Kirkus Reviews Issue: July 15, 2019
Fans of smart horror will sink their teeth into this one.
Things are about to get bloody for a group of Charleston housewives.
In 1988, the scariest thing in former nurse Patricia Campbell’s life is showing up to book club, since she hasn’t read the book. It’s hard to get any reading done between raising two kids, Blue and Korey, picking up after her husband, Carter, a psychiatrist, and taking care of her live-in mother-in-law, Miss Mary, who seems to have dementia. It doesn’t help that the books chosen by the Literary Guild of Mt. Pleasant are just plain boring. But when fellow book-club member Kitty gives Patricia a gloriously trashy true-crime novel, Patricia is instantly hooked, and soon she’s attending a very different kind of book club with Kitty and her friends Grace, Slick, and Maryellen. She has a full plate at home, but Patricia values her new friendships and still longs for a bit of excitement. When James Harris moves in down the street, the women are intrigued. Who is this handsome night owl, and why does Miss Mary insist that she knows him? A series of horrific events stretches Patricia’s nerves and her Southern civility to the breaking point. (A skin-crawling scene involving a horde of rats is a standout.) She just knows James is up to no good, but getting anyone to believe her is a Sisyphean feat. After all, she’s just a housewife. Hendrix juxtaposes the hypnotic mundanity of suburbia (which has a few dark underpinnings of its own) against an insidious evil that has taken root in Patricia’s insular neighborhood. It’s gratifying to see her grow from someone who apologizes for apologizing to a fiercely brave woman determined to do the right thing—hopefully with the help of her friends. Hendrix (We Sold Our Souls, 2018, etc.) cleverly sprinkles in nods to well-established vampire lore, and the fact that he’s a master at conjuring heady 1990s nostalgia is just the icing on what is his best book yet.
Fans of smart horror will sink their teeth into this one.Pub Date: April 7, 2020
ISBN: 978-1-68369-143-3
Page Count: 400
Publisher: Quirk Books
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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