by Brad Herzog ‧ RELEASE DATE: June 1, 2010
A quest for authenticity and self-acceptance, marred by occasional sentimentality and banality, but ultimately redeemed by a...
Herzog’s third travel memoir (Small World: A Microcosmic Journey, 2004, etc.) follows the highways cross-country to his college reunion at Cornell University, examining the idea of the hero along the way.
The author begins close to Mt. Olympus, Wash.; like his role model, Odysseus, he headed for Ithaca (New York in this case). Herzog took off in a mammoth Winnebago, visiting hamlets called Troy, Calypso, Siren and Plato, as well as some places he once called home. Camping in RV parks and Wal-Mart parking lots and eating in homegrown cafés, the author talked with a wide variety of people, including farmers, cops, small-town politicians and more. There is “Hobo Dan,” who supports his lifestyle by making earrings out of gopher paws; Bud, a sassy 95-year-old who brags that his driver’s license is valid until he’s 102; and Ray, a volunteer cosmologist who has recorded the weather in Pandora, Ohio, every night since 1949. Herzog is at his best when he allows these amusing, winsome folks to tell their stories in their own voices. He also captures stunning details of the American landscape—black Angus cattle grazing peacefully on a pale green mountainside; a Yield sign riddled with bullet holes presiding over a crossroads in the middle of nowhere; steam rising from the ground in a former coal-mining town in Pennsylvania; a monument honoring a faithful dog named Shep. The exhaustive self-analysis, on the other hand, becomes tiresome, though there are flashes of excellent self-awareness, like Herzog’s characterization of himself as “sushi-eating, Gap-wearing, left-leaning interloper” at a tractor-pull competition. Attempts to draw parallels between his experiences and classical mythology result in some jarring transitions and tedious digressions, but the denouement, the hero’s return, is irresistible.
A quest for authenticity and self-acceptance, marred by occasional sentimentality and banality, but ultimately redeemed by a near-perfect ending.Pub Date: June 1, 2010
ISBN: 978-0-8065-3202-8
Page Count: 320
Publisher: Citadel/Kensington
Review Posted Online: Jan. 24, 2011
Kirkus Reviews Issue: March 15, 2010
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by Brad Herzog
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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