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TITANIC’S LAST SECRETS

THE FURTHER ADVENTURES OF SHADOW DIVERS JOHN CHATTERTON AND RICHIE KOHLER

Wholly engrossing narrative of a crowning example of catastrophic hubris.

Matsen (Descent: The Heroic Discovery of the Abyss, 2005, etc.) provides an intriguing postmortem of design-safety compromises on the “Ship of Dreams.”

The author’s point of entry into the story is the diving team of John Chatterton and Richie Kohler, stars of the TV series Deep Sea Detectives. They wanted to resolve why the mighty ship sank only two-and-a-half hours after hitting an iceberg on April 15, 1912. By contrast, sister ship Olympic had survived and made it to port after colliding with a Royal Navy cruiser in 1911 and sustaining damage so severe it took six weeks to repair. In 2005, Chatterton and Kohler descended to the wreck in two Russian submersibles and, with the help of a maritime forensics analyst and an imaging technician, pieced together what happened to Titanic. It had grounded on the iceberg, not just sideswiped it, thereby scraping the bottom of its hull and opening an additional fatal hole. When not discussing the dive’s planning, execution and analysis of its findings, Matsen focuses on the crucial decisions made during Titanic’s construction by three men: chief designer Thomas Andrews, who went down with his ship; White Star Line chairman Bruce Ismay; and Lord William Pirrie, head of the Belfast shipbuilding firm Harland and Wolff. Heeding Ismay’s insistence that they reduce costs and space, Andrews reluctantly used the Board of Trade’s specifications for the amount of steel in the hull and the number of lifeboats required, rather than the additional quantities of each that he deemed safe for a ship of this size. A dive into the wreck of the Britannic, which sunk after striking a German mine in 1916, strongly suggested that Pirrie and Ismay, knowing Titanic’s expansion joints were weak, sought to bolster them on its companion vessel. The divers ultimately concluded that Titanic’s designer, builder and owner “had sent a ship to sea not knowing if it was strong enough to survive.”

Wholly engrossing narrative of a crowning example of catastrophic hubris.

Pub Date: Oct. 1, 2008

ISBN: 978-0-446-58205-6

Page Count: 326

Publisher: Twelve

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2008

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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