Nearly every child will know his work already: here’s at least a superficial glimpse of his character.

I AM JIM HENSON

From the Ordinary People Change the World series

Meltzer holds up the great Muppeteer as a role model.

As in previous profiles in his Ordinary People Change the World series, the author crafts a first-person narrative that is light on biographical details and heavy on message. After pointing to significant early influences, from Edgar Bergen to Kukla, Fran and Ollie, the fictive Henson carries his career through Sesame Street, leads a chorus of Muppets singing “Rainbow Connection,” and concludes with a homiletic lecture: “Believe in the good of the world. Create something new. Share what you love….And never stop being kind. There’s nothing wrong with being a do-gooder.” Per series formula, Eliopoulos depicts his subject in cartoon illustrations as a bobblehead doll who remains child-sized throughout despite sporting a heavy beard from early youth. Recognizably drawn Muppets and co-workers are introduced by name, and a late scene extends the Henson story to its sadly premature end with a multiethnic group of children viewing a museum exhibit of selected monsters and movie posters.

Nearly every child will know his work already: here’s at least a superficial glimpse of his character. (photos, timeline, bibliography) (Picture book/biography. 3-6)

Pub Date: Jan. 10, 2017

ISBN: 978-0-525-42850-3

Page Count: 40

Publisher: Dial Books

Review Posted Online: Nov. 1, 2016

Kirkus Reviews Issue: Nov. 15, 2016

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The snappy text will get toes tapping, but the information it carries is limited.

LET'S DANCE!

Dancing is one of the most universal elements of cultures the world over.

In onomatopoeic, rhyming text, Bolling encourages readers to dance in styles including folk dance, classical ballet, breakdancing, and line dancing. Read aloud, the zippy text will engage young children: “Tappity Tap / Fingers Snap,” reads the rhyme on the double-page spread for flamenco; “Jiggity-Jig / Zig-zag-zig” describes Irish step dancing. The ballet pages stereotypically include only children in dresses or tutus, but one of these dancers wears hijab. Overall, children included are racially diverse and vary in gender presentation. Diaz’s illustrations show her background in animated films; her active child dancers generally have the large-eyed sameness of cartoon characters. The endpapers, with shoes and musical instruments, could become a matching game with pages in the book. The dances depicted are described at the end, including kathak from India and kuku from Guinea, West Africa. Unfortunately, these explanations are quite rudimentary. Kathak dancers use their facial expressions extensively in addition to the “movements of their hands and their jingling feet,” as described in the book. Although today kuku is danced at all types of celebrations in several countries, it was once done after fishing, an activity acknowledged in the illustrations but not mentioned in the explanatory text.

The snappy text will get toes tapping, but the information it carries is limited. (Informational picture book. 4-6)

Pub Date: March 3, 2020

ISBN: 978-1-63592-142-7

Page Count: 32

Publisher: Boyds Mills

Review Posted Online: Dec. 21, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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A lively celebration of music and expressive dance.

I GOT THE RHYTHM

The beat is all around her when a girl takes a walk in the park with her mother.

On a lovely summer day, a young African-American girl in a bright pink sundress and matching sneakers sees, smells, sings, claps and snaps her fingers to an internal rhythm. As a boom box plays its song and a drummer taps his beat, neighborhood children join her in an energetic, pulsating dance culminating in a rousing musical parade. Schofield-Morrison’s brief text has a shout-it-out element as each spread resounds with a two-word phrase: “I shook a rhythm with my hips. /SHAKE SHAKE”; “I tapped the rhythm with my toes. / TIP TAP.” Morrison’s full-bleed, textured oil paintings capture the joy of a mother and daughter in an urban park surrounded by musicians, food vendors and many exuberant children. Read this aloud with music playing loudly—not in the background. Morrison is a Coretta Scott King/New Talent Award winner, and this is a fine debut for his wife in their first collaboration.

A lively celebration of music and expressive dance. (Picture book. 3-6)

Pub Date: June 3, 2014

ISBN: 978-1-61963-178-6

Page Count: 32

Publisher: Bloomsbury

Review Posted Online: April 15, 2014

Kirkus Reviews Issue: May 1, 2014

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