A smart crime package, both funny and serious.
Zig and Nola are back in this fast-moving thriller laced with blood and wit.
In “the last fourteen minutes of his life,” Wojo the valet steals Archie Mint’s BMW and drives it to the Mint family home, led there by the car’s GPS. It's a robbery scheme that's worked before, but this time both the valet and Mint—who followed him—end up dead, shot by someone waiting in the house. Jim “Zig” Zigarowski works at Calta’s Funeral Home and is an artist in making the dead look their very best. One woman “hasn’t looked this good since Reagan was President,” he’s told. Before Calta’s, he’d been a mortician at Dover Air Force Base, which houses “America’s most secretive funeral home,” for two decades. Zig’s gift is to be able to repair any body, no matter how badly damaged. Now he’s called back to Dover to take care of murdered veteran Lt. Col. Archie Mint. He has no idea what the government is up to, and he just wants to show the greatest respect for the dead. As he works, he always talks to the deceased as though to comfort them—he’s odd but obviously decent. He’s also a beekeeper who converses with the hive. Then, at the funeral home in Dover, he sees the Army's Artist-in-Residence, Sgt. Nola Brown, the lightning rod who attracts so much trouble. She’d not only saved Zig’s daughter’s life when they were Girl Scouts, but two years ago she’d shot her own foster father in the head to save Zig’s life. “Nola didn’t walk; she lurked,” and her “sheer intensity…radiated off her, like plutonium.” Zig and Nola discover something “fishy” about Mint's death. He'd been about to take secrets of criminal activity to his grave, and Zig and Nola might get killed trying to uncover them. The plot carries the story to a government facility called Grandma’s Pantry, apparently a real place where the feds once stored supplies for the aftermath of nuclear war. The characters are mostly delightful, including Nola’s cop brother, Roddy, who is trying not to be the monster he’d apparently been as a kid. “We each have a little monster inside us,” as he was told. Not so delightful are the Reds, two redheaded killers who aren’t above sawing tracheas. There’s plenty of clever dialogue and details like the woman with the rhinestoned oxygen tank.
A smart crime package, both funny and serious.Pub Date: March 8, 2022
ISBN: 978-0-06-289240-9
Page Count: 432
Publisher: Morrow/HarperCollins
Review Posted Online: April 11, 2022
Kirkus Reviews Issue: May 1, 2022
A particularly nasty villain heightens the stakes in this thriller about a woman learning how to be her own hero.
An author is targeted by a fan who just can’t let her go.
Arden Bowie has had plenty of tragedy in her life, but now she’s finally on top. After her parents died when she was a teenager, she moved from Brooklyn to Ohio to live with her aunt, uncle, and cousins. She soon became part of their loving family and grew up to become a writer and bookseller. When her debut novel is published, she meets Dustin Dubecki at her first event. He showers her with praise, asks for writing advice, and wants to take her out for coffee. Arden tells herself he’s just a little awkward, but then he keeps showing up at her local events—and, even stranger, she’s sure she sees him lurking at her event in New York City. When he bursts into her apartment one night and assaults her, Arden’s calm life is shattered. Dustin gets a five-year sentence at a psychiatric facility; Arden spends most of that time rebuilding her sense of stability. Eventually, she moves to Oregon to start a new life where Dustin can never find her. But even though she has a beautiful home, a thriving career, a doting family, new friends, and even a potential love interest in a former cop named Gideon Riley, Arden can’t escape Dustin’s rage when his sentence is finally up. Roberts toggles between Arden’s point of view and Dustin’s, giving the reader occasional glimpses into his extremely twisted mindset. Although Arden’s attempts to escape Dustin are engrossing, the story stalls in the middle when far too many pages are dedicated to Arden purchasing and decorating a house. But the excitement picks back up when Dustin, a truly odious villain, re-enters the story. It’s also satisfying to see Arden grow into someone who refuses to be a victim, even as she deals with horrifying circumstances.
A particularly nasty villain heightens the stakes in this thriller about a woman learning how to be her own hero.Pub Date: May 26, 2026
ISBN: 9781250413581
Page Count: 432
Publisher: St. Martin's
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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