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BLOOD TRAIL

An old-fashioned, fast-paced backwoods horror ride.

Preston’s over-the top crime thriller follows multiple murderers.

A young woman, who goes by the name “Bonnie,” knew from an early age what she wanted to be when she grew up: a killer like the infamous Bonnie Parker. All she needed was a Clyde of her own to be her partner in crime. When she finally finds him, they set off on the killing spree of her dreams. The only problem is that murder rarely goes as planned; Bonnie wants to shoot people, but the man she calls “Clyde” likes using knives and his bare hands. Bonnie also wants a boyfriend, but Clyde hardly touches her; she wants to live in a movie, but she ends up with harsh reality, instead. As the pair drive around the country, clumsily generating a body count, they soon find themselves forced to hide from authorities. Later, they cross paths with a group of campers—two men and a woman with strange secrets of their own. Out in the middle of nowhere, in a cabin by the lake, there lives a bitter family who sees all. Who’s really hunting whom? As the narration notes, “Sooner or later, the devil would come to collect.” Fans of The Texas Chain Saw Massacre (1974) and Natural Born Killers (1994) will especially enjoy this wild reimagining of the Bonnie and Clyde story. Preston effectively employs a range of offbeat narrative devices, including prophetic dreams and Kafka-esque transformations, using fantasy to offset the vulgarity of his characters. The author also makes use of multiple points of view, which creates an overall sense of impending doom. Even minor characters, who are introduced just to die, receive inner monologues, which becomes an offbeat, if repetitive, storytelling tool. However, the novel also uncomfortably leans into objectifying women in a manner that’s common to the subgenre.

An old-fashioned, fast-paced backwoods horror ride.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: Oct. 10, 2024

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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NEVER FLINCH

Even when King is not at his best, he’s still good.

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Two killers are on the loose. Can they be stopped?

In this ambitious mystery, the prolific and popular King tells the story of a serial murderer who pledges, in a note to Buckeye City police, to kill “13 innocents and 1 guilty,” in order, we eventually learn, to avenge the death of a man who was framed and convicted for possession of child pornography and then killed in prison. At the same time, the author weaves in the efforts of another would-be murderer, a member of a violently abortion-opposing church who has been stalking a popular feminist author and women’s rights activist on a publicity tour. To tell these twin tales of murders done and intended, King summons some familiar characters, including private investigator Holly Gibney, whom readers may recall from previous novels. Gibney is enlisted to help Buckeye City police detective Izzy Jaynes try to identify and stop the serial killer, who has been murdering random unlucky citizens with chilling efficiency. She’s also been hired as a bodyguard for author and activist Kate McKay and her young assistant. The author succeeds in grabbing the reader’s interest and holding it throughout this page-turning tale of terror, which reads like a big-screen thriller. The action is well paced, the settings are vividly drawn, and King’s choice to focus on the real and deadly dangers of extremist thought is admirable. But the book is hamstrung by cliched characters, hackneyed dialogue (both spoken and internal), and motives that feel both convoluted and overly simplistic. King shines brightest when he gets to the heart of our darkest fears and desires, but here the dangers seem a bit cerebral. In his warning letter to the police, the serial killer wonders if his cryptic rationale to murder will make sense to others, concluding, “It does to me, and that is enough.” Is it enough? In another writer’s work, it might not be, but in King’s skilled hands, it probably is.

Even when King is not at his best, he’s still good.

Pub Date: May 27, 2025

ISBN: 9781668089330

Page Count: 448

Publisher: Scribner

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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