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BROADCAST HYSTERIA

ORSON WELLES'S WAR OF THE WORLDS AND THE ART OF FAKE NEWS

An entertaining assessment of a watershed moment in American life and its lasting effect on popular culture.

A skeptical look at the panic that might have been.

Just as literature was created the day a boy cried wolf when there was no wolf, the birth of fake news in the United States may have been Oct. 30, 1938, when a rising young radio celebrity cried Martian when there was no Martian. His name, of course, was Orson Welles (1915-1985), and he unleashed a radio production that convinced a number of people that space invaders had arrived in tiny Grover’s Mill, New Jersey, and were proceeding to burn a path of destruction along the East Coast that would shame Gen. Sherman. Listeners throughout the country fled their homes in terror—or did they? That’s the question raised in this book by Schwartz, who persuasively argues that Martian hysteria was largely a media invention. Drawing on both ratings and hundreds of archived original letters from listeners (both pro and con) addressed to the FCC and CBS, Schwartz easily dismantles the idea that Welles alarmed the nation, as most people were tuned to another station. Among actual listeners, many knew the program was fiction, either because they heard it announced as such at the beginning or because they saw through it—and loved it. Relatively few people lost their grips on reality, but the press saw them as the majority and never bothered to check if they actually were. “No journalist ever made a serious attempt to figure out how much of the country had even heard the broadcast,” writes the author, “much less how many in its audience were frightened.” Myth became hardened into fact by a popular academic study, which Schwartz reveals was largely shaped to fit an unexamined hypothesis. The author credibly shows that the problem wasn’t the fake broadcast but the fake interpretation—“a newspaper exaggeration born of haste and misunderstanding”—that chilled creative expression. Advertisers, fearful of offending audiences, wanted shows that pandered to the lowest common denominator. Welles’ first great triumph also effectively killed the golden age of radio.

An entertaining assessment of a watershed moment in American life and its lasting effect on popular culture.

Pub Date: May 5, 2015

ISBN: 978-0-8090-3161-0

Page Count: 352

Publisher: Hill and Wang/Farrar, Straus and Giroux

Review Posted Online: Feb. 28, 2015

Kirkus Reviews Issue: March 15, 2015

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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WHY WE SWIM

An absorbing, wide-ranging story of humans’ relationship with the water.

A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.

For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).

An absorbing, wide-ranging story of humans’ relationship with the water.

Pub Date: April 14, 2020

ISBN: 978-1-61620-786-1

Page Count: 288

Publisher: Algonquin

Review Posted Online: Jan. 4, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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