by Brad Windhauser ‧ RELEASE DATE: Sept. 8, 2016
A sensitive, if sometimes-uneven, portrayal of the complexities and contradictions of race, class, and sexual orientation in...
The diverse residents of a rapidly gentrifying neighborhood find themselves at a polarizing crossroads when a white driver collides with a young black bicyclist.
The intersection in the title of Windhauser’s (Regret, 2007) novel is not only the location of the accident that sets the action of the plot in motion. It also accurately describes Graduate Hospital, the Philadelphia neighborhood in which each character lives (or flees). Once home to working-class black families, the area now increasingly attracts whites looking to buy cheap and raise values as they make improvements. The white and black residents intersect in Graduate Hospital, but the junction is often not an easy one. When Michael, a gay white professional, becomes involved in an accident with Geoffrey, a black community activist who has returned to the neighborhood his mother worked hard to leave behind, a powder keg of resentment threatens to explode. Immediately after the crash, a black woman named Rose muses: “Something wicked was brewing. Her neighborhood needed her—whatever that might mean—and not just that white driver, whose name she didn’t even know yet.” Shaken, Michael considers leaving the area (“In the past few days, how many times had he felt like bolting?”). The tale explores the intricate issues of race and class that arise as poor people of color find themselves increasingly marginalized by “urban renewal.” Told from a variety of points of view, the narrative builds suspense and delves into complex emotions of loss, grief, anger, and the desire for connection. In places, the author describes racism with subtle precision, as when Geoffrey’s mother, selling the run-down Graduate Hospital home she grew up in, describes the attitude of a white realtor: “He watched where he stepped too much.” But some of the attitudes of the black characters do not ring true. At a meeting about the accident, a black man’s anger is described by a black woman as “infantile,” emerging from a “restricted world view,” with little attention given to the very real racist abuses that may fuel such hostility. Despite this failing, the novel remains engaging and thought-provoking, and the reader grows to genuinely care about the actors in the drama at the intersection.
A sensitive, if sometimes-uneven, portrayal of the complexities and contradictions of race, class, and sexual orientation in a changing urban landscape.Pub Date: Sept. 8, 2016
ISBN: 978-1-61296-751-6
Page Count: 210
Publisher: Black Rose Writing
Review Posted Online: Oct. 12, 2016
Review Program: Kirkus Indie
Share your opinion of this book
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
Share your opinion of this book
More by Harper Lee
BOOK REVIEW
by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
More About This Book
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
Share your opinion of this book
More by Paulo Coelho
BOOK REVIEW
by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
BOOK REVIEW
by Paulo Coelho ; translated by Eric M.B. Becker
BOOK REVIEW
by Paulo Coelho ; translated by Zoë Perry
More About This Book
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.