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The Intersection

A sensitive, if sometimes-uneven, portrayal of the complexities and contradictions of race, class, and sexual orientation in...

The diverse residents of a rapidly gentrifying neighborhood find themselves at a polarizing crossroads when a white driver collides with a young black bicyclist.

The intersection in the title of Windhauser’s (Regret, 2007) novel is not only the location of the accident that sets the action of the plot in motion. It also accurately describes Graduate Hospital, the Philadelphia neighborhood in which each character lives (or flees). Once home to working-class black families, the area now increasingly attracts whites looking to buy cheap and raise values as they make improvements. The white and black residents intersect in Graduate Hospital, but the junction is often not an easy one. When Michael, a gay white professional, becomes involved in an accident with Geoffrey, a black community activist who has returned to the neighborhood his mother worked hard to leave behind, a powder keg of resentment threatens to explode. Immediately after the crash, a black woman named Rose muses: “Something wicked was brewing. Her neighborhood needed her—whatever that might mean—and not just that white driver, whose name she didn’t even know yet.” Shaken, Michael considers leaving the area (“In the past few days, how many times had he felt like bolting?”). The tale explores the intricate issues of race and class that arise as poor people of color find themselves increasingly marginalized by “urban renewal.” Told from a variety of points of view, the narrative builds suspense and delves into complex emotions of loss, grief, anger, and the desire for connection. In places, the author describes racism with subtle precision, as when Geoffrey’s mother, selling the run-down Graduate Hospital home she grew up in, describes the attitude of a white realtor: “He watched where he stepped too much.” But some of the attitudes of the black characters do not ring true. At a meeting about the accident, a black man’s anger is described by a black woman as “infantile,” emerging from a “restricted world view,” with little attention given to the very real racist abuses that may fuel such hostility. Despite this failing, the novel remains engaging and thought-provoking, and the reader grows to genuinely care about the actors in the drama at the intersection.

A sensitive, if sometimes-uneven, portrayal of the complexities and contradictions of race, class, and sexual orientation in a changing urban landscape.  

Pub Date: Sept. 8, 2016

ISBN: 978-1-61296-751-6

Page Count: 210

Publisher: Black Rose Writing

Review Posted Online: Oct. 12, 2016

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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