by Bradley Good ‧ RELEASE DATE: June 22, 2018
A courageously unequivocal self-portrait of bipolar disorder.
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A Los Angeles businessman living with bipolar disorder recalls his time spent in the county jail in this debut memoir.
Good’s book opens with a gunshot. In a chapter entitled “The World Breaks,” the author describes his father’s suicide at 66 years old. As a physician who was suffering intolerable pain following surgery, he misdiagnosed what was discovered to be a treatable condition and took his own life. The author, who was diagnosed with bipolar disorder in 2014, believes that his father’s decision was influenced by the same mental illness. The distinction he draws between himself and his father is that “the world broke me, but it did not kill me.” The irrational behavior symptomatic of the disorder led Good to be incarcerated in LA County Jail for 113 days. A buildup of stress caused him to throw a stapler through the window of his rented Pasadena apartment, shattering glass onto a mother and son walking on the street below. He was charged with assault with a deadly weapon and vandalism. The book recalls his days surviving prison as well as recounting Good’s leaving his wife and two daughters for his “long-lost love” Cora and time spent in a mental institution after being released from jail. The author describes the intensity of his manic episodes. While working in Beijing, he impulsively took the elevator to the top of a 37-floor building, found his way to the roof, dropped onto the balcony of the penthouse apartment, and smashed through the glass terrace door to escape. Good confides that he was initially reluctant to divulge his bipolar disorder to others, as “they would not understand.” But his writing captures with clarity what it means to experience the disorder, particularly with regard to manic phases. When recalling his perilous experience atop the Beijing skyscraper, he writes: “The floor to ceiling glass was thick. The glass on the door looked thinner, though. So, I took the bench and pushed it through the door glass. It entered surprisingly easily. It shattered.” His sentences have a rapid, staccato tempo, echoing the fast-talking, highly energetic urgency and irrationality symptomatic of a manic episode. The author’s writing also captures the impulsiveness and sheer bluntness that are characteristics of bipolar disorder. On reuniting with Cora, he confesses: “All the affection and love I had for my wife disappeared. I had never heard of that happening to anyone.” As the book progresses, Good demonstrates how his understanding of his condition developed. He came to terms with the chaos associated with bipolar behavior but also discovered he “was both its instigator and victim.” He placed an emphasis on the religious taking of medication even though it allowed him to painfully remember all the people he “harmed.” This bold memoir is not about hiding from mental illness or forgetting its consequences; it is concerned with developing a deeper understanding of the self and determinedly facing adversity. Many confronting similar struggles should empathize with Good and find hope in his story.
A courageously unequivocal self-portrait of bipolar disorder.Pub Date: June 22, 2018
ISBN: 978-1-72087-326-6
Page Count: 368
Publisher: CreateSpace
Review Posted Online: Nov. 13, 2018
Kirkus Reviews Issue: Dec. 15, 2018
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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