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DAISY'S DECORATING DILEMMA

From the Wild Fairies series , Vol. 1

Flower-calendar quibble aside, an optimistic, upbeat story.

Event coordinator Daisy must find a theme for the Blossom Bash that will please everyone.

While the current abundance of rain will benefit the flowers, it also poses a challenge: The accelerated, early bloom gives them less time than usual to prepare. Each fairy suggests their own flower or color to decorate Sugar Oak, putting Daisy in the unenviable role of being the deciding vote. (Gardeners will note the flowers listed are not all early spring blooms.) In the meantime, Daisy checks on other fairies’ preparations, troubleshooting their problems (from food and music decisions to recommending honey for seasonal allergies). Indigo’s garlands of materials from all over the forest inspire Daisy to go for an eclectic theme, allowing each fairy to decorate part of Sugar Oak however they wish. The full effect of the assortment, as well as the acceptance of an earlier than optimal bloom, is summed up by Daisy and stands as the story’s theme: “We all know we can’t control nature. We can only appreciate all that it gives us. And that’s what this celebration is really about!” In Kurilla’s frequent, full-color illustrations, Daisy is depicted with brown skin and blonde curls, and other fairies have skin and hair of all the colors of the rainbow; one fairy in the primary cast is male. Information about honey follows the story, as do a recipe, a dramatis personae, and some games.

Flower-calendar quibble aside, an optimistic, upbeat story. (Fantasy. 6-8)

Pub Date: May 8, 2018

ISBN: 978-1-63565-132-4

Page Count: 96

Publisher: Rodale Kids

Review Posted Online: March 17, 2018

Kirkus Reviews Issue: April 1, 2018

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WAITING IS NOT EASY!

From the Elephant & Piggie series

A lesson that never grows old, enacted with verve by two favorite friends

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 4, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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WHAT THE ROAD SAID

Inspiration, shrink wrapped.

From an artist, poet, and Instagram celebrity, a pep talk for all who question where a new road might lead.

Opening by asking readers, “Have you ever wanted to go in a different direction,” the unnamed narrator describes having such a feeling and then witnessing the appearance of a new road “almost as if it were magic.” “Where do you lead?” the narrator asks. The Road’s twice-iterated response—“Be a leader and find out”—bookends a dialogue in which a traveler’s anxieties are answered by platitudes. “What if I fall?” worries the narrator in a stylized, faux hand-lettered type Wade’s Instagram followers will recognize. The Road’s dialogue and the narration are set in a chunky, sans-serif type with no quotation marks, so the one flows into the other confusingly. “Everyone falls at some point, said the Road. / But I will always be there when you land.” Narrator: “What if the world around us is filled with hate?” Road: “Lead it to love.” Narrator: “What if I feel stuck?” Road: “Keep going.” De Moyencourt illustrates this colloquy with luminous scenes of a small, brown-skinned child, face turned away from viewers so all they see is a mop of blond curls. The child steps into an urban mural, walks along a winding country road through broad rural landscapes and scary woods, climbs a rugged metaphorical mountain, then comes to stand at last, Little Prince–like, on a tiny blue and green planet. Wade’s closing claim that her message isn’t meant just for children is likely superfluous…in fact, forget the just.

Inspiration, shrink wrapped. (Picture book. 6-8, adult)

Pub Date: March 23, 2021

ISBN: 978-1-250-26949-2

Page Count: 40

Publisher: Feiwel & Friends

Review Posted Online: April 7, 2021

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